2025 Author: Leah Sherlock | [email protected]. Last modified: 2025-01-24 17:46
Each writer at one time turned to one of the eternal themes - love. Many stories are devoted to mutual feelings. A special place in literature belongs to stories of unrequited love. Before starting the story, the writer should explain what he wants to tell the reader. The epigraph serves this purpose.
What is this?
In ancient times, this word denoted the inscription on the tombstone. Literary epigraphs appeared only in the Renaissance. Since the 19th century, they began to be placed both at the beginning of the work and before each chapter. A well-chosen epigraph is a sign of the author's education. Writers such as Pushkin, Turgenev, Tolstoy, Gogol skillfully used epigraphs about love.
This technique is used for the following purposes:
- to highlight the main idea of the plot;
- prior to the spirit of the work;
- emphasizing the main mood of the book;
- expressions of personal attitude to the described events.
Epigraphs of writers about love
For example, here are a number of authors who masterfully use epigraphs. Richard Yates used a quote from John for Revolutionary RoadKeats - "The flesh languished either with tenderness or violence." Mary Westmacot used a quote from Thomas Eliot for her work "Rose and Yew" - "The world is one moment of Rose and Yew".
Jonathan Carol as an epigraph to the novel "White Apples" took a phrase stating that death, sleep, love have one motive, and a hot kiss takes them away. Frederic Begdeder, who wrote Love Lives Three Years, prefaced the novel with a quote from Françoise Sagan: “Well, yes! So what? Things should be called by their proper names! A person loves and then dislikes.”
Epigraphs about love are present in the classics of Russian literature. Sholokhov wrote words from a Cossack folk song for the novel "Quiet Flows the Don". It tells how difficult the fate of the Kuban Cossacks during the war, which claims thousands of lives, leaving children orphans and women widows.
Pushkin wrote the following words to the novel "Dubrovsky":
"You could take revenge, But revenge is low, When the object of your love isThat meek creature…"
“The Fountain of Bakhchisaray” begins with an epigraph taken from Saadi’s work. In it, a Persian poet says: “Many have visited this fountain. But others no longer exist, others wander far away.”
Bulgakov took the dialogue from Goethe's Faust in the novel The Master and Margarita:
- So who are you, finally?
- I am part of that power, Who always wants evil and does good."
Thoughts of the greats
Epigraphs about love, in fact, are quotes from great writers. Concerning the high feeling, Paulo Coelho is expressed in this way: “Love is notin another, but in ourselves, and we ourselves awaken it. Dostoevsky believed that to love means to see a person as God created him. Lermontov argued that love has no boundaries. Oscar Wilde believed that a woman should be loved, not understood.
Confucius could not imagine life without love. Leo Tolstoy said that love is a great gift. "You can give it as a gift, and yet it will remain with you." Bunin argued that all love is a great happiness, even if it is not shared. This epigraph about unrequited love states that the ability to express deep feelings is a basic human need.
All these statements are summarized by the poems of the Azerbaijani poet Nizami:
The lover is blind.
But a visible trace of passionHe leads him where there is no way for the sighted.
From history
Epigraphs often came into fashion, became a manner, went out of use. They are used in literature, music, cinema. The ability to pick up someone else's thought for a new work is also a sign of the author's wit. Epigraphs about love not only bring the reader up to date, but also contain life wisdom. The ability to use them in your works is subject only to high talent.
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