Lyrical digressions in "Eugene Onegin". Lyrical digressions - this is what

2024 Author: Leah Sherlock | [email protected]. Last modified: 2023-12-17 05:25

According to the definition, lyrical digressions are some statements of the author's thoughts and feelings related to the depicted in the work. They help to better understand the ideological intent of the creator, to take a fresh look at the text. The writer, intruding into the narrative, slows down the development of the action, breaks the unity of the images, however, such inserts enter the texts naturally, since they arise in connection with the depicted, they are imbued with the same feeling as the images.

Lyrical digressions in the novel "Eugene Onegin" play a huge role, as you will see by reading this article. It is dedicated to their topics, functions and meaning.

Features of the novel "Eugene Onegin"

The novel in question, A. S. Pushkin wrote for more than 8 years - from 1823 to 1831. Petr AndreevichHe wrote to Vyazemsky at the very beginning of work on the work that he was not creating a novel, but a "novel in verse", and this is a "devilish difference".

Indeed, thanks to the poetic form, "Eugene Onegin" is very different from the traditional genre of the novel, since it expresses the feelings and thoughts of the author much more strongly. The work adds originality and constant participation and commentary of the author himself, about which we can say that he is one of the main characters. In the first chapter of the novel, Alexander Sergeevich calls Onegin "a good friend".

Digressions and author biography

Lyrical digressions are a means used by Alexander Sergeevich Pushkin, in particular, to help us get to know the personality of the creator of the work, his biography. From the first chapter we learn that the narrator has left Russia and sighs about her "under the sky of Africa", which means the southern exile of the poet. The narrator writes clearly about his anguish and suffering. In the sixth chapter, he regrets his young years and wonders where the times of youth have gone, what "the day to come" is preparing for him. Lyrical digressions in the novel also help to revive Alexander Sergeevich's bright memories of those days when the muse began to appear to him in the gardens of the Lyceum. They thus give the right to judge the work as the history of the development of Pushkin's personality.

Description of nature in digressions

Digressions are not only biographical data of the author. Many of them are dedicateddescription of nature. Her descriptions are found throughout the novel. All seasons are represented: winter, when boys joyfully cut ice with skates, snow falls, and northern summer, which Pushkin calls a caricature of southern winters, and the time of love - spring, and, of course, autumn, beloved by Alexander Sergeyevich. The poet often describes different times of the day, the most beautiful of which he considers night. However, he does not at all strive to depict unusual, exceptional paintings. On the contrary, everything is ordinary, simple, but at the same time beautiful.

Nature and the inner world of heroes

Nature is closely connected with the inner world of the heroes of the novel. Thanks to her description, we better understand what is going on in the souls of the characters. The author often notes the spiritual closeness with the nature of the main female image - Tatyana - and reflects on this, thus characterizing the moral qualities of her heroine. The landscape often appears before us through the eyes of this particular girl. She liked to meet "dawn sunrise" on the balcony or suddenly saw a whitened yard in the window in the morning.

Encyclopedic work

VG Belinsky, the famous critic, called Pushkin's novel "an encyclopedia of Russian life." And one cannot but agree with this. After all, an encyclopedia is a kind of systemic overview, which is revealed sequentially from A to Z. The novel is just that, if you carefully look at all the lyrical digressions present in Onegin. We note then that the thematic range of the workunfolds exactly encyclopedically, from A to Z.

Loose Romance

Alexander Sergeevich calls his work "a free novel" in the eighth chapter. This freedom is expressed, first of all, in the author's unconstrained conversation with the reader through lyrical digressions expressing feelings and thoughts on his behalf. This form allowed Pushkin to depict a picture of the life of contemporary society. We will learn about the upbringing of the younger generation, about how young people spend their time, about balls and fashion from the time of Alexander Sergeevich Pushkin.

The lyrical digressions of the novel "Eugene Onegin" cover the theater as well. He, speaking about this amazing "magic land", recalls both Knyazhin and Fonvizin, but Istomina, who flies like a fluff, touching the floor with one foot, especially attracts his attention.

Lyric digressions about literature

Lyrical digressions are also an opportunity to express the author's position in relation to contemporary literature and its problems. This is the subject of many arguments of Alexander Sergeevich in the text of the novel "Eugene Onegin". In these lyrical digressions, the narrator argues about the language, the use of various foreign words in it, which are sometimes simply necessary in order to describe certain things (for example, tailcoat, pantaloons, vest). Pushkin argues with a strict critic who calls for throwing off the wretched wreath to the poets of the elegy.

Author andreader

The novel "Eugene Onegin" is at the same time the story of its creation. The narrator talks to the reader through digressions.

The text is created as if right before our eyes. It contains plans and drafts, as well as a personal assessment by the author of the novel. Alexander Sergeevich calls on the attentive reader to co-create. When the latter is waiting for the rhyme "rose", Pushkin writes: "Take her soon." The poet himself sometimes acts as a reader and strictly reviews his work. Lyrical digressions introduce authorial freedom into the text, thanks to which the narrative movement unfolds in many directions. The image of Alexander Sergeevich is many-sided - he is both a hero and a narrator at the same time.

If all the other characters of the novel (Onegin, Tatiana, Lensky and others) are fictional, then the creator of this entire artistic world is real. He evaluates his heroes, their actions, and either agrees with them or disapproves, argues again in lyrical digressions. Built in this way, on an appeal to the reader, the novel tells about the fictitiousness of what is happening, it seems that this is just a dream, similar to life.

Features of digressions

Often lyrical digressions in "Eugene Onegin" occur before the climax of the story, forcing the reader to be in suspense, waiting for further development of the plot. So, the author's monologues meet before the explanation of Onegin and Tatiana, before her sleep anda duel involving Eugene Onegin.

The role of lyrical digressions, however, is not limited to this. They are also used so that the reader can better understand the essence of certain characters. That is, they not only introduce new layers of "reality" into the artistic world, but also create a unique author's image, which is an intermediary between the space in which the characters live and the real world, of which the reader is a representative.

Lyrical digressions in "Eugene Onegin", thus, are very diverse in terms of topics and purposes of including them in the text of the narrative. They give Pushkin's creation a special depth and versatility, scale. This suggests that the role of lyrical digressions in the work is very large.

The novel, based on the author's appeal to the reader, was a new phenomenon in the history of Russian literature of the 19th century. As time has shown, this innovation did not pass without a trace, it was noticed and appreciated both by contemporaries of Alexander Sergeevich Pushkin and by his descendants. "Eugene Onegin" remains one of the most famous works of Russian literature, not only in our country, but also abroad.