Natalya Ryazantseva: photo, biography, filmography

2024 Author: Leah Sherlock | [email protected]. Last modified: 2023-12-17 05:25

Natalia Ryazantseva has always seemed one of the most mysterious and reserved people in Soviet cinema. This is the greatest screenwriter of our time, from whose pen the scripts for such films as "Wings", "Parents' Day", "Alien Letters", "Portrait of the Artist's Wife" were born. One of her last works was the script for the film "Stash Lights", which was released on the screen in 2011. Despite the enormous talent of a writer and screenwriter, Natalya Ryazantseva, whose photo will be presented in our article, has always attracted the attention of a wide audience with her personal life. This woman had two official marriages, both times cult Russian directors became her chosen ones - her first husband was G. Shpalikov, and the second was I. Averbakh. Also for many years she was a faithful companion and companion of one of the greatest philosophers - Merab Mamardashvili.

Natalia Ryazantseva: biography

No wonder this woman has a certain mysterious image. Even in our time of advanced information technology and open access toall sorts of data to find detailed information about her biography is not very easy. It is known that she was born in 1938. Natalya Ryazantseva is a native Muscovite, she spent all her childhood and youth in the capital. It is known that the family of the future screenwriter was educated and intelligent, her great-grandfather - Sergei Rzhevsky - at one time was the governor of several regions, including Ryazan, Tambov and Simbirsk.

Being already an adult woman, Natalya Ryazantseva in her interviews more than once proudly recalled her noble roots. And even in Soviet times, during the heyday of communism, she said that she was always proud of her origin, which was far from the working class. Her second husband, Ilya Averbakh, adhered to the same position, who dreamed of putting on the White Guard all his life. Once, when meeting with the poet V. Nekrasov in an informal setting, he proudly announced that he was a true White Guard.

Education Received

In 1962, she successfully graduated from VGIK, namely its screenwriting department. During this period, as a student, Natalya Ryazantseva met her future first husband, Gennady Shpalikov, who would eventually be called the best screenwriter and songwriter of the sixties. Almost 20 years later, having become a recognized screenwriter herself, Natalya returned to her native VGIK, but already as one of the strongest teachers of screenwriting.

Difficult profession

In cinema, one can almost always tracea natural injustice: when an interesting film comes out on the screens, popularity comes to a greater extent to the actors who played the main roles. Also, the audience, as a rule, appreciates the director's work. But few people are interested in screenwriters who prescribe the main idea, structure and dialogue of all the characters in this film. Most often, the writers, alas, remain in the shadows. But Ryazantseva Natalya Borisovna is a screenwriter, a talented author who managed to avoid such an unfair oblivion. In the cinema circle, her work is deservedly appreciated, and she herself has an unshakable reputation as an undoubted professional.

For example, Sergei Solovyov in the preface to the book "The Voice" says that Natalya Ryazantseva is a screenwriter who is able to painfully and painstakingly rewrite and remake the same dialogue dozens of times until it fits perfectly with a certain actor, director or even under the weather conditions of filming. In order to receive such high marks among colleagues, Natalia had to write a lot of brilliant works.

For the first time as a screenwriter, she made her debut not in feature films. Then she became one of the screenwriters of the tape "Zastava Ilyich" and at the same time she even played one of the roles in it.

Unfortunately, this film did not survive Khrushchev's censorship, its full version was shown on wide screens many years later, in the late 80s.

After that, Ryazantseva Natalya Borisovna continued her career and in 1966, in collaboration with V. Yezhov wrote the script for the film "Wings".

Filmography

In addition to the films already mentioned, Ryazantseva at different times wrote scripts for such films as:

• "Scarlet Flower";
• "Alien Letters";
• "Long farewell";
• Open book;
• "I'm free, I'm nobody";
• "Portrait of the Artist's Wife";
• "Voice";
• “Parents Day”;
• "Own Shadow";
• "No one wanted to leave."

In total, after Wings written in 1966, 16 more scripts came out from Ryazantseva's pen.

Relationships with men

Those who know Natalya closely say that she is a very deep personality and belongs to that rare kind of person who is capable of sincere sympathy. She has a certain magnetic charm, because she sees a lot of things that are not understood and not noticed by the rest. Ryazantseva evaluates everything quite correctly, coldly and soberly, and therefore creates the impression of a tough person.

Many people mistake this for some arrogance. Since Natalya Borisovna is a creative person, in each person she looks for a prototype of a possible hero for her scenarios and considers people from the point of view of how interesting this person can be for building a future image. It becomes obvious that it will not be easy for any man to live with such a wife. In addition, many note that Natalia creates the impression of a person who is all the time concentrated on something of her own and slightly detached.from everything around.

At first glance, it may seem that such a person cannot have a permanent couple at all. But at the same time, Natalia has always been a mystery for men, which was impossible to solve to the end, which attracted them to her.

The story of the first marriage

The first choice of this fatal woman was the student Shpalikov, who eventually turned into a well-known screenwriter and director throughout the Soviet Union.

Young people turned their attention to each other in Leningrad, where chance brought them together. Gennady Shpalikov and Natalya Ryazantseva, feeling not only mutual sympathy, but also a certain closeness, got married very quickly. Over time, in her memoirs, Ryazantseva will write that she was never really able to love Gennady. But at that time their romance was not student in the classical sense of this expression. Young people took each other quite seriously and decided to formalize their relationship without wasting time. They got married in 1959.

Their life was quite easy and fun, but the overall picture was overshadowed by widespread lack of money. The couple were happy with any work. Natalya Ryazantseva recalls that she and her young husband were happy to work even on primitive advertising.

Many acquaintances considered them an ideal couple, because the young spouses seemed to really complement each other perfectly: they were talented, energetic and enthusiastic. Those who witnessed these relationships recall that Gennady did nothe looked forward to his wife, and Natalya answered him with complete reciprocity. Over time, the financial situation of the couple began to improve significantly, due to the fact that the spouse began to write hit songs for Soviet films (for example, he is the author of the legendary song “And I'm walking, walking around Moscow”).

But, oddly enough, this marriage did not last long, and the young people divorced 2 years after the wedding. They say that the reason for the divorce was Shpalikov's love of drinking, and it was for this reason that Natalya decided to get a divorce.

The second husband of the writer

Ilya Averbakh became the second man Natalya Ryazantseva officially married. This man was known as a film director, screenwriter, often called "the idol of an intelligent viewer."

They got married in 1966 and lived together for almost 20 years. This marriage ended in 1986 with the death of Ilya.

Today's life of a great screenwriter

Since Ryazantseva became one of the most talented and experienced female screenwriters of Soviet and later Russian cinema, it would be unfair if she did not pass her knowledge on to the younger generation. After the death of her husband, in 1988, Natalya Borisovna began her teaching career.

In the beginning, she taught at the Higher Courses for Directors and Screenwriters. And almost 10 years later, she began to conduct her screenwriting workshop at VGIK.