Interpretation of one poem: "Prayer" by Lermontov

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Interpretation of one poem: "Prayer" by Lermontov
Interpretation of one poem: "Prayer" by Lermontov

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The work of M. Yu. Lermontov, as critics have repeatedly noted, is permeated through and through with motives of protest and theomachism. A rebel poet, a loner poet, seeking peace in storms, perceiving himself on this Earth as an eternally persecuted wanderer, Lermontov did not reconcile himself either with the tyranny of earthly kings, or with the willfulness of heavenly rulers. Proud, containing in his soul the hell of contradictions, sorrows and suffering, the Demon is the true hero of Mikhail Yuryevich, this is the reflection of his inner self. And it is all the more surprising to meet among the angry, fiery, sharply ironic lines of the poet subtle and heartfelt lyrical miniatures. Yes, he wrote several poems, which he called "Prayers".

Poems from 1839

"Prayer" by Lermontov, about which

"Prayer" Lermontov
"Prayer" Lermontov

will be discussed in this article, was written in the last years of the poet's life - more precisely, in 1839. It was inspired by the beneficial influence of the "bright angel" Mikhail Yuryevich - Masha Shcherbatova (Princess Maria Alekseevna), who seriously loved, understood Lermontov'screativity, highly appreciating him as a poet and a person. Moreover, Shcherbatova experienced a deep feeling for Lermontov. In moments of intimate conversations, when the young man shared his innermost thoughts, experiences, sorrows with the princess, Shcherbatova advised him to turn to God. Bring your sorrows, insults, indignations to the Heavenly Father. And ask Him for help. Lermontov's "Prayer" is the embodiment in poetic form of the testament of a young woman, the answer addressed to her.

Interpretation of a poetic text

How different the poem is from most of what the poet managed to write! Soft and melodic intonations, reproducing, apparently, the tone of the very main conversation. A calm, confidential story about the most important, intimate thing that can happen in the life of each of us. Lermontov's "prayer" is a reproduction of such situations when a person ceases to rely only on himself or others. When only higher powers can help, console, give hope. This is what the first stanza of the work is about.

poems by Lermontov "Prayer"
poems by Lermontov "Prayer"

The author emphasizes: we remember God when it becomes bad, hopeless, when “sadness is crowded” in the heart, and we do not see any light. What remains for a man on the edge of the abyss? Prayer! Lermontov in the second stanza of the poem speaks of its “gracious” power, that the words of the prayer are “living”, full of “holy charms”. What does it mean? Gracious - that is, saving, because in Christianity "grace" is a message to people about the possibility of salvation, forgiveness, eternal life. From here the semantica logical chain to the epithet of "living words". On the one hand, Lermontov's poems "Prayer" emphasize that the texts of appeals to God, to the saints exist for more than a century, are repeated by thousands and thousands of people, they are known both by a baby who has barely learned to speak, and an old man living out his life. They are alive as long as faith is alive. On the other hand, poetic lines emphasize that, having relieved the soul in prayer, a person feels better, as if reborn again. Lermontov is an artist, and, as a creative person, he subtly feels the beauty of the world in its various manifestations. He cannot but react to the aesthetic side of divine texts, their special poetics, "holy charm". So from another, unexpected side, Lermontov's "Prayer" opens up to us.

poem by M. Yu. Lermontov "Prayer"
poem by M. Yu. Lermontov "Prayer"

And the third stanza is a confidential description of what a person feels after communicating with God. This is catharsis, purification, rebirth, transformation. Thus, in the poem by M. Yu. Lermontov's "Prayer" a three-part composition is clearly traced, helping to understand its ideological and aesthetic level.

Such is this amazing work of the poet.

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