Valerie Kaprisky: biography and famous roles of the actress

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Valerie Kaprisky: biography and famous roles of the actress
Valerie Kaprisky: biography and famous roles of the actress

Video: Valerie Kaprisky: biography and famous roles of the actress

Video: Valerie Kaprisky: biography and famous roles of the actress
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Valerie Kapriski is a model, movie and television star, a sex symbol of the eighties. Like many French actresses of that time, she appeared nude in films. She made her screen debut in the comedy Men Prefer Fat Women.

Valerie Kaprisky
Valerie Kaprisky

Biography

Valerie Kaprisky was born on August 19, 1962 in Neuilly-sur-Seine, a French commune west of Paris. Her real name is Valerie Sheres, Kapriski is her Polish mother's maiden name. On the paternal side, the actress has Turkish and Argentine roots. As a child, at the age of eight, together with her parents, Valerie moved to live in Cannes. Thanks to the famous festival, inspired by the performance of one of the most famous German actresses of the 20th century, Romy Schneider, Kapriski discovered the world of cinema and decided to devote herself to acting.

Career start

At the age of seventeen, she moved to Paris and, while studying in high school, went to the Florent, a private school of dramatic art, in the evening. After several shootings of commercials, Valerie was noticed by the famous French film director, screenwriter and film producer Jean-Marie Poiret, who offered her the first seriousjob.

A year later, she managed to get a leading role in the French-Swiss erotic film by Robert Fuest called "Aphrodite".

with Richard Gere
with Richard Gere

Followed by participation in the thriller "Breathless", a remake of the famous film of the same name by Jean-Luc Godard about a French girl and an American criminal in Los Angeles. The partner on the set was the then rising Hollywood star Richard Gere, participation in erotic scenes with which brought Kaprisky fame in the United States, and also gave rise to rumors about their stormy romance. The film itself received mixed reviews, with some critics questioning the decision to offer the role of Valerie, who had too little acting experience. However, over the years, the picture has received a cult status, and the talented American director Quentin Tarantino once said that this is a "cool" film, and he completely indulges all his hobbies: comics, rockabilly (a synthesis of rock and roll and country music) and films.

Films with Valerie Kaprisky

The young actress continued the chain of projects and her next work was the role in Andrzej Zulawski's drama "Public Woman" about an inexperienced young girl who is offered a leading role in the film adaptation of Dostoevsky's novel. In the story, an eccentric director (Frances Huster) begins a rigorous course of indoctrination, sexual domination and acting lessons, leaving a mentally devastated girl unable to tell the real world from the game. Participation in this film brings Valerie a nomination for the Cesar Award forBest Actress.

Year of Medusa
Year of Medusa

Exuding both innocence and eroticism, Kapriski becomes a famous and sought-after actress, her face appears on the covers of glossy magazines. In 1984, with numerous topless appearances, she played a dangerously beautiful, seductive teenage girl in the dramatic thriller Year of the Jellyfish. Then she plays the role of a dazzling gypsy (1986) in the comedy Philippe de Broca, and in 1991 she plays Milena, a woman in love with a mysterious past.

Private life

In the late eighties, tired of the role of a sexy actress, Valerie Kaprisky decides to no longer act nude. This choice harms her career, and offers of roles in films become less. Valerie was considered a femme fatale, while she still felt like a teenager. This forced the actress to resort to the help of psychotherapists. Seven years after starting her treatment, Kapriski meets the man of her life, composer Jean Yves Dingelo, with whom Valerie falls in love at first sight. However, more than a dozen years of a happy life with what she calls a very kind person is overshadowed by only one thing - the inability to have children.

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