Bunin's poetry: features, themes. Bunin's poems about love

2024 Author: Leah Sherlock | [email protected]. Last modified: 2023-12-17 05:25

But a word can paint pictures, create real masterpieces filled with bright colors, aromas, life, philosophy and lyrics. These words are not easy to read. The reader will definitely see them, hear them, feel them, taste them, smell them, and, with a momentary breath, will reread them again and again. Mysticism, hypnosis, hack? Not at all. Just Bunin's poetry.

Poet or writer?

Probably, difficulties are created specifically to turn people into skilled craftsmen. Ivan Alekseevich Bunin was born on October 22, 1870. He came from an impoverished noble family, so he had to work from an early age. An outstanding poet and writer, winner of the Nobel Prize in Literature, began to live independently early.

He worked in the publishing houses of various newspapers and magazines, worked part time in the office and traveled a lot. His first poem saw the world in 1887, and his first collection was published in 1891. Duringcreative activity, not only Bunin's poetry, but also works written in prose, received worldwide recognition. But the writer himself said that he was more a poet than a writer. Therefore, it is worth considering precisely this facet of his activity.

Legacy

They say that everything new is a well-forgotten old. This is how Bunin's poetry appears against the backdrop of literary modernity. Ivan Alekseevich successfully continued the best Pushkin traditions. From his strict lines and breathes simplicity and nobility. The poet does not need "free verse", he feels great among the borders of iambic and trochaic. He seemed to have adopted them as a legacy from previous generations of poets. Bunin does not care about new creative techniques and styles of writing poetry. Ivan Alekseevich is sure that the old forms will never exhaust themselves.

Bunin is a poet. He himself repeatedly insisted on this. And the great thing about him is that he never considered himself a member of any school or direction. He just wrote beautiful poems, wrote them when he wanted, and had something to say.

Artist

For the poet Bunin, Chekhov, Pushkin and Tolstoy have always been examples to look up to. He considered them "gods" of literature. But despite the fact that Ivan Alekseevich took an example from them, his works had many of their own characteristics.

In poetry, Bunin uses classical meters (two and three syllables). But this does not limit his thoughts in the least. Bunin manages to fill these small lines with such richness of intonation that they acquire something new,comparable sound. Ivan Alekseevich is a true artist of the word. He subtly feels the beauty of the surrounding world: its sounds, colors, emotions. And this is reflected in his poetry. It is impossible to find another such poet who could reveal all the splendor of nature to the last sound of a hawk's cry.

Creative themes

The poet looked at the world in a special way, and no matter how much you analyze, it is difficult to identify individual themes of Bunin's poetry. Bunin's lyrics are a combination of certain facets of creativity. He writes about life, loneliness, longing, the joy of earthly existence. In a word, Bunin displays in his poetry all aspects of human life - from nature, what surrounds him and ending with inner experiences.

Love lyrics

The first thing to start considering the work of the poet Bunin is love lyrics. He often wrote about the difficulties and tragedy of love, as well as about its fleeting beautiful moments. In poems about love, Bunin penetrates deeply into the most hidden depths of the human heart, revealing to the world its unknown and unknown laws. But even here he sees things differently.

In poems about love, Bunin associates this feeling with the eternal and pristine beauty of nature. He perceives only that love that is natural - not invented, not false, not selfish, but real. Life without love is not life at all, if love dies, then life becomes worthless and hopeless. However, the author does not hide the fact that one has to expect not only joy from love. It can bring a lot of sad memories. ATIn one of his letters, he wrote that love and death are inextricably linked: every time he experienced another love catastrophe, he was close to suicide. And despite this, the feeling of love remains for the poet something sublime, ideal and, without a doubt, eternal.

Loneliness

Once Bunin admitted that he had experienced many love tragedies, so the theme of loneliness in the poet's work can be considered a key one, and Bunin's verse "Loneliness" is a natural proof of this. This work was written in 1903, and it can only partly be called autobiographical, since the poet dedicated the verse to his close friend, the artist Peter Nilus, whom he called “the poet of painting.”

In the verse "Loneliness" Bunin emphasizes that being alone is the lot of many creative individuals. These people remain misunderstood friends and those whom they consider their lovers. The human soul is not a reflection of someone, but a completely different universe that lives by its own rules. Therefore, no one will ever be able to understand it, and as for the people of creativity, they will not be understood even more so.

The poem "Loneliness" was written in the height of summer, but it smells of dank autumn dampness, which so favorably emphasizes the loneliness and longing of the protagonist. Everything is mixed up in these lines: landscape lyrics, personal tragedy and acceptance of life as it is.

Come on, this rhyme

This is what makes the poet interesting. When analyzing Bunin's poetry, one can see that he does not particularly adhere to rhyme. Sentences may break or end where the verse did not end. The poet's lyrical works seem to have lost their independence, they are not divorced from everyday speech, but still remain true works of art. Bunin's poems are natural and alive, they are integral, even despite the fragmentation of sentences.

Bunin does not boast of exquisite rhyme, the rhythm of his poems is peculiar, but thanks to it the reader can see exquisite beauty in everyday things.

Sound new

As for the features of the lyrics, Bunin's poetry tells about life, its microcosm and individual moods. It is quite normal for a poet to compare the snow-white wings of seagulls with eggshells or to call the clouds shaggy. The author is not afraid to poeticize everyday realities, he is not afraid to use the old and at the same time always relevant values of the world. It is not difficult for Bunin to sing about what the writers of the past have repeatedly focused their attention on. It seemed that these themes had already completely exhausted themselves, but in Bunin's poems they take on a new sound.

Landscape lyrics

When compared with the poetry of Tyutchev, who conveyed his emotions to the world around him, Bunin does not impose personal emotional experiences on nature. He accepts the world as it is, in all its beauty. The poet is sure that nature should not fully correspond to human experiences, but nevertheless it emphasizes them.

Nevertheless, landscape lyrics in Bunin's poetry take pride of place. The poet has always felthow accurately he managed to convey those colors, sounds and smells that surround him. It is important for the poet to convey the beauty of the surrounding world in its various states in order to capture irretrievably passing moments. For example, as in the work “The bright April evening has burned out”, which shows a brief moment of the leaving evening, which is replaced by night.

But the reader is not only imbued with the beauty of the April evening - he seems to feel its smell and the quiet breath of the playful wind. The poet seems to take the reader exactly to that last moment of the fading spring day.

Little feature

A smell plays a special role in the landscape lyrics, thanks to which you can truly understand all the charm, grace and beauty of Russian nature. In the poem “It Smells Like Fields”, the lyrical hero seems to catch the bright fragrance of the fields “from hayfields and oak forests”. Here Bunin was able to convey both the "meadows cool breath", and the fading of nature before a thunderstorm, and the thunderstorm itself - in the image of a man with "crazy eyes".

Most of Bunin's poems about nature have no titles, since it is almost impossible to convey the state in which the world around us is in two or three words.

Background

And as already mentioned, nature is the background against which experiences are more clearly reflected. Thanks to his landscape sketches, Bunin conveys the complexity of the human inner world. When describing the seasons or nature, the author easily manages to emphasize human emotions. But he does not mix these concepts, but rather reinforces one with the other.

Feelings thatexperiences a person with changes in the environment, can be considered universal and understandable to everyone. The cold autumn rain makes you sad, and the bright spring sun gives you hope. These concepts are accessible to everyone, and Bunin, trying to convey the depth of experiences of lyrical heroes, uses this technique, but at the same time nature remains one topic, and emotions another.

Traditions of Russian classics

Bunin's creative activity fell at the end of the 19th - beginning of the 20th century. At this time, the world stood on the threshold of new changes. All the hackneyed themes went into a ghostly past, covered with temporary dust, and new trends were born to replace them. Even literature was not spared this fate.

Poets of that time seemed to compete with each other in who would come up with the most sophisticated word form. New words, epithets, hyperbole, verse sizes - all this flowed into the literary movement without the right to condemn. Poets were looking for new ways to express their emotions, thoughts and feelings. And even if at times the innovative methods were too shocking, difficult to perceive and incomprehensible to ordinary people, they were accepted. It's modern. Society wanted to change, sought to completely reshape the world, entering a new era, so it was ready to accept all innovations.

And only in Bunin's poetry the traditions of Russian classics were preserved in all their beauty. The poet remained true to the values that Fet, Tyutchev, Polonsky and others left behind. He wrote lively, realistic, simple and understandable poems and did not try at allconduct dubious experiments on the word. The beauty and richness of the Russian language was more than enough for the "simple" Bunin to be recognized in the conditions of the "complex" modernity.

Not like everyone else

Bunin tried to find the harmony of the world and understand what is the meaning of human existence. In nature, he saw wisdom and an eternal, inexhaustible source of beauty. In his work, all living things were reasonable, and human life was considered in the context of nature, without changing it, but playing by its rules.

Bunin is a connoisseur of landscape lyrics. His poems are like living pictures that are able to convey smells and sounds. Over time, landscape lyrics acquire philosophical notes. The poet begins to consider the themes of life and death.

Bunin's poems did not reflect the revolutionary processes that were taking place in the country. While the revolution was going on, which somehow gained publicity in the work of other writers of that time, Bunin continued to develop philosophical motives. If you re-read all of his poems, then we can say with confidence that the poet is more concerned not with “what” happens, but with “why” this or that situation happens to a person.

Only I. A. Bunin

In Bunin's poetry, the problems of modernity are correlated with the concepts of good and evil, life and death. The poet is looking for the truth, in her search he turns to the history and religion of other countries. He is trying to understand according to what laws society and man as a whole develop. According to him, a person's life is nothing but a small segment of eternity. He wants to see what is on the other side of life, and does not wantrecognize the destruction of the nobility.

This is the originality of Bunin's poetry. It seemed to be late for a century, did not suffer from the motives of the revolution, did not succumb to modernist currents. Following the best classical traditions, Bunin is free to express his thoughts. He doesn't waste time coming up with something new, because there is so much left unsaid.

Writer and artist rolled into one. Even if he never held brushes in his hands, did not stand thoughtfully at a blank canvas on an easel, his poems are the same paintings. So bright, lively and accurate. Laconic, restrained, concise, sometimes unfinished, but at the same time full-fledged. What is this? Mysticism, hypnosis, hack? Not at all. Just Bunin's poetry.