The theme of the poet and poetry in the work of Lermontov. Lermontov's poems about poetry

2024 Author: Leah Sherlock | [email protected]. Last modified: 2023-12-17 05:25

The theme of the poet and poetry in Lermontov's work is one of the central ones. Mikhail Yuryevich devoted many works to her. But we should start with a more significant theme in the poet's artistic world - loneliness. She has a universal character. On the one hand, this is the chosen one of Lermontov's hero, and on the other, his curse. The theme of the poet and poetry suggests a dialogue between the creator and his readers. But, falling into the unusual atmosphere of the universal loneliness of the lyrical hero, it acquires a special meaning, color.

We will consider the theme of the poet in the lyrics of Lermontov. We will analyze several poems by Mikhail Yuryevich, give them a capacious description, and find similarities with the works of Alexander Sergeevich Pushkin.

Don't trust yourself

The poem was written by M. Yu. Lermontov in 1839. It continues to develop the motives of Pushkinpoem "The Poet and the Crowd". However, if Pushkin has a priest on one side, and uninitiated people on the other, then Lermontov sees it all differently. The theme of the poet in his poem is radically different from Pushkin's. There is a connection between the creator and the crowd. They are all ordinary people, and the poet is one of them.

However, a poetic word cannot express the inner world of the creator himself. Here we are faced with the already well-known romantic theme, once set by V. Zhukovsky in the poem "The Unspeakable". But, of course, in a different interpretation. The word cannot convey the entire depth of the inner life of the poet, it is devoid of this power. People don’t care about the creator’s feelings: “What do we care if you suffered or not? / What do we need to know your worries, / Foolish hopes of the initial years, / Evil regrets of reason?”

Prophet

The theme of the poet and poetry in the work of Lermontov can be traced in the "Prophet", written in 1841, a few weeks before his death. If in the poem "Do not believe yourself" the poet is close to the crowd, then in this work we observe a different situation. Here the creator is represented as a prophet. And the title of the poem refers us to Pushkin's "Prophet". In it, the author writes about the changes that happen to a person when he turns into a seer who brings God's word to people. Pushkin ends the poem with a cheerful call: "Burn people's hearts with the verb."

Lermontov draws us a tragic continuation of this story. Pushkin's prophet goes to people in order to carryDivine word. But, unfortunately, they do not understand it. However, the hero's exclusion from people is compensated by the opportunity to contact the Universe.

Poet

The motif of the uselessness of the prophetic word as the theme of Lermontov's poem "The Poet" appears as early as 1838. It brings together the images of the creator and the dagger. This again refers us to Pushkin, namely to his poem "The Dagger". It was written in the south in 1821. True, Alexander Sergeevich is really talking about a dagger, but he is created as an image of the last judge who restores justice. Perhaps this is the only Pushkin poem where the murder is justified from a moral point of view.

Lermontov reworks the image of the punishing dagger in his own way. The poet takes him to the past, when he was a weapon of struggle, and now he has become an object that decorates the room: "He shines like a golden toy on the wall." Something similar happened to the poet: once his voice sounded like a bell, but now he has lost his purpose.

We find that Pushkin's plots of the poems "Prophet", "Dagger", which sound positive, optimistic, in Lermontov's adaptations acquire a pessimistic and dramatic character. The prophet is persecuted, the dagger turns into a toy, and the poet loses the ability to influence the world around him.

How often, surrounded by a motley crowd…

Other poems by Lermontov about poetry still show us the influence of the artisticwords to the environment. This is most clearly represented in the poem "How often, surrounded by a motley crowd …". Lermontov paints a picture of a masquerade, people hiding their true emotions and feelings. And therefore, looking at this false and unnatural life, the poet is carried away into distant childhood, where everything was completely different. And then, returning from the world of dreams, he again discovers the unnaturalness of this masquerade.

Duma

The theme of the poet and poetry in Lermontov's work is also touched upon in the most famous work of the author, in which he draws the image of his generation, including himself in it. We are talking, of course, about the poem "Duma". If in the work “Do not trust yourself” Mikhail Yuryevich brings the poet and a person from the crowd together, then here he makes himself and the generation related. However, this image is tragic. Nothing remains of a generation: “…neither a fruitful thought, / Nor a labor initiated by a genius.”

However, you and I know that everything did not turn out the way it seemed to Lermontov. His poetry remained from that generation. "Duma" became a poetic monument to his contemporaries.

There are speeches - meaning…

Lermontov also has poems in which the power of the poetic word is expressed especially strongly. So, Mikhail Yuryevich himself becomes the main character of this work. He describes the influence of the poetic word on his soul. We understand that not everyone is affected by poetry in this way. But it becomes clear what great meaning the poetic word had in the life of Lermontov himself.

Conclusion

It's impossible not to say howA. S. Pushkin strongly influenced Lermontov's work. Mikhail Yuryevich really wanted to show his poems to his idol, but he was too unsure of himself. The theme of the poet and poetry in the work of Lermontov begins with a tragedy for all Russian literature - the death of Pushkin. Shocked, he writes the poem "The Death of a Poet". Perhaps we would never have known the genius of Lermontov if not for his friend Svyatoslav Raevsky. He rewrote the poem by hand to send to grieving relatives. It produced the effect of an exploding bomb: overnight, all of Russia learned about cornet Lermontov.

After analyzing the poems of Mikhail Yurievich, we noticed how often he turned to the motives, plots of his idol. Continuing them, contrasting his works with Pushkin's, Lermontov found his niche in Russian poetry, on the one hand, uniting with his predecessor, and on the other, becoming his serious opponent.