Theatrical noises and sounds: concept, types, possibilities

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Theatrical noises and sounds: concept, types, possibilities
Theatrical noises and sounds: concept, types, possibilities

Video: Theatrical noises and sounds: concept, types, possibilities

Video: Theatrical noises and sounds: concept, types, possibilities
Video: Jurabek Murodov, Jonibek Murodov & Sadriddin Najmiddin - Tojik Fors Dari (2015) 2024, November
Anonim

Together with musical, lighting design, scenery, lighting, costumes and props, theatrical noises and sounds are used as an expressive means in productions. They carry a certain semantic load and emotional coloring assigned to them.

The concept of noise design

Unlike music, where fragments of works, fragments of melodies, songs are used, noise design imitates the sounds and noises of the environment in theatrical productions. They are used to enhance associative effects and create an illusory perception of reality.

Theatrical noises and sounds
Theatrical noises and sounds

The expressive possibilities of noises are identical to musical ones. They are characterized by:

  • tempo (for example, quick and calm steps of a person);
  • timbre (for example, the sonorous yelping of a small dog is significantly different from the sounds of a huge barking shepherd dog, or the deaf ticking of a clock from the sonorous movement of large armchair pendulums);
  • pitch.

Theatrical noises usually serve to enhance artistic impact, increase emotional tension in climaxes, createatmosphere and mood. With their use, it is easy to give an accurate description of the characters of the characters, to subtly and clearly outline the subtext of each scene.

Types of sounds and noises

Each theater has at its disposal a sound-noise record library. Now digital recordings of the most common and frequently used sounds are used, as well as special noise devices and devices (drums, iron, rattles, synthesizers and others).

Noise design happens:

1. Realistic. Includes sounds that differ in character:

  • sounds of nature (such as the sound of the sea, trilling birds, thunder, wind whistling);
  • transport sounds (engine sound, engine start, train wheels, tram, cart);
  • production (hum of turbines, factory, noise of various machines, construction site);
  • household (phone ring, doorbell, knock of a hammer, glass chime, clock strike, creak);
  • battle (explosions, whistle of bullets, horse cavalry, march of troops, shots, clanging of swords).

2. Conditional. Sounds that only the audience hears, the actors seem to be unaware of them. Noise does not affect the place of action, it is as if outside of it, is nearby. Such accompaniment is called psychological, illustrative, emotional. In other words, these are the sounds of the inner life of the characters. Directors use them to solve the set artistic tasks.

Expressive Possibilities

Each theatrical performance has its own features that require "individual" musical solutions. Theatrical noises are a powerful means of expression. They play a big role in the figurative solution of any performance. Noise and sound effects help to focus attention, reveal the hidden meaning, emphasize the significant, influence the emotional state of the viewer.

Modern sound equipment allows you to achieve the necessary subtlety, height, volume, versatility of noise design. Natural noises bring you closer to the created environment, abstract ones act on the imagination.

Theatrical noises
Theatrical noises

Noises, like musical accompaniment and words, make additions to the production, set the atmosphere. With their help, they create the subtext of the play, accurately and subtly depict the characters of the characters. There is a huge variety of noises and sounds. They complement and are closely intertwined with the ongoing stage action.

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