The character of the novel "The Master and Margarita" Bosoy Nikanor Ivanovich: description of the image, characteristics and image

2024 Author: Leah Sherlock | [email protected]. Last modified: 2023-12-17 05:25

The novel The Master and Margarita, created by Mikhail Bulgakov, is an unusual work in many ways. The interweaving of biblical stories with ordinary Soviet reality, the ambiguity of the characters and their actions, an interesting love line - that's not all. Today we will talk about such an unremarkable character in the novel as Bosoy Nikanor Ivanovich, and we will establish how detailed Bulgakov worked out even minor persons in order to create a completely finished, integral work.

Romance in brief

"The Master and Margarita" is a creation that first appeared in the world in 1966-1967. It was published in the monthly "Moscow". The idea of creating a work was nurtured by Bulgakov for a long time, since 1928. At the same time, during its creation and development, the book has changed a number of titles (“Engineer’s Hoof”, “Consultant with a Hoof”, etc.), due to the fact that the original concept and intention were not yet completely clear even to the creator himself. In addition, the start time of work on the planned work was unfavorable for Bulgakov - he was considered a writer"neo-bourgeois", was forbidden for publication, in connection with which physical and mental overwork could not but affect the fruitfulness and his approach to the conceived business. In 1932, the novel began to take on a form familiar to readers today: Margarita, the Master, an established name (in 1937) and a beloved by fans theme of pure, eternal, enduring love appeared in it, the emergence of which researchers associate with the marriage of Mikhail Bulgakov to E. S. Shilovskaya. Until the last days of his life, the author himself, already practically blind by that moment, made corrections and corrections to the text. After the death of her husband, Shilovskaya put all her strength into publishing the main brainchild of her beloved; She also acted as the first editor. However, be that as it may, the full text, without censorship cuts and changes, was printed in Russia only in 1973.

Storyline

Before you move on to talking about who Bosoy Nikanor Ivanovich is, you should briefly describe the general plot of the work. The novel is an interweaving of several lines and two time layers: the biblical and the 30s of the XX century. The events revolving around Yeshua and Pontius Pilate belong to the first time, the love line of Margarita and the Master, as well as the mystical-satirical story of the pranks of Woland (the devil) and his retinue over the Muscovites belong to the second (this is where Bosoy Nikanor Ivanovich will take an active part).

The plot takes place on the Patriarch's Ponds in the capital, where Woland arrives under the guise of a foreigner. He sits down next to one of the heroes of the novel,Ivan Homeless, brought up in the atheistic environment of the Soviet Union, and asks the question of who controls human life and the entire earthly order, if not God. The poet Bezdomny replies that the person himself is responsible for everything, however, the events that begin to unfold after will always refute the thesis expressed by Ivan. In an extremely dynamic, funny, sparkling form, the author raises the problems of relativity and incompleteness of human knowledge, the predestination of a life path, the power of higher forces beyond human control over his miserable, in fact, existence, which can be brightened up only by love or creativity. As a result, both time layers will unite at the end into one: the Master will meet Pontius Pilate (who will act as the hero of his, the Master, work, that is, the reader will deal with a novel within a novel!) In Eternity, where they will be granted timeless shelter, forgiveness, salvation.

Disputes between critics and scientists

Before referring to a character named Bosoy Nikanor Ivanovich, I would like to draw attention to the interesting fact that to this day philological disputes have not subsided around the genre correlation of the novel with any particular category. It is interpreted as a philosophical novel, a myth novel, a mystery novel (that is, related to the biblical drama of the Middle Ages). Some researchers (B. V. Sokolov, J. Curtis and others) indicate that the work of Mikhail Afanasyevich has a unique nature and cannot be contained within the framework of any one specificgenre.

Nikanor Ivanovich Bosoy: characteristics and functions in the plot

So, if we talk about this character, it should be noted that in the plot he was the chairman of the housing association on Sadovaya Street. Nikanor Ivanovich Bosoy ("The Master and Margarita") is an image that personifies the entire Moscow society. He is a swindler and a swindler, agreeing to the proposal of Koroviev (one of the devil's closest minions) to rent out a "bad" apartment (which cannot be rented out) to the guest performer Woland only because he, Bosom, is offered a tidy sum in the form of a bribe. Of course, this was not done just like that: the currency, for greater security, and so hidden by the manager of the house in the ventilation, magically, mysteriously, incomprehensibly turned into a foreign one, and the police received a denunciation of Nikanor Ivanovich from the same Koroviev.

The semi-literate grabber Nikanor Ivanovich Bosoy, whose image seems to be based on many people who actually existed in Bulgakov's contemporary reality, as a result, is placed first in the walls of the NKVD, after which he suddenly begins to see clearly, begins to believe in God and ends up in a lunatic asylum.

Dream of Nikanor Ivanovich Bosogo: analysis and meaning

In the episode of his dream, Nikanor Ivanovich finds himself in the theater, surrounded by many other men, unfamiliar to him, who are invited to hand over the currency. The fear of the book hero had a very real justification in life: on the one hand, this scene was inspired by M. Bulgakovthe story of his close friend, philologist N. N. Lyamina. His second wife recalled that once he was "summoned"; Nikolai Nikolayevich spent two weeks "there". On the other hand, this episode reflected the trend that really manifested itself in 1929 - the arrests carried out by the OGPU, the purpose of which was to confiscate gold, jewelry and currency from residents, became more frequent.

The arrested were kept in detention for whole weeks, waiting until they "voluntarily" hand over the sheltered supplies. At the same time, little water was given, and they were specially fed with too s alty food. The appearance of such a politically sharp chapter, therefore, had a very real reason; it was first written in 1933 and then still called "Castle of Wonders", after which the most controversial and objectionable authorities of the scene were smoothed out and reworked.

In fact, in the original version, Nikanor Ivanovich Bosoy, a humorous character for whom today readers even feel involuntary pity, should have been much more sinister: he was supposed not only to take bribes, but also to commit denunciations and extortion. As you can see, it was not Lyamin who made the prototype of the “fat” lover of food and drink, whose fate Bulgakov himself watched with trepidation, but one of the full members of the “warm company” of the housing association at number 50 on Bolshaya Sadovaya Street (most likely, K. Sakizchi), where Mikhail Afanasyevich himself lived.

Implicit references to other works

The image and characteristics of Nikanor Ivanovich Bosoy sendsa thoughtful reader to such authoritative creations of Russian classical literature as "Heart of a Dog" (Schvonder), "The Brothers Karamazov" (catching Bosym Fagot-Koroviev and searching for the devil by Ivan Karamazov during interrogation), "The Government Inspector" (the attitude of Gogol's Governor towards merchants is similar to the behavior of employees OGPU to prisoners).