2024 Author: Leah Sherlock | [email protected]. Last modified: 2023-12-17 05:25
Diana Vishneva is a ballerina. Her biography as a dancer began quite early - at the age of six, when her parents took her to classes in a choreographic circle at the Leningrad Palace of Pioneers. Her family, far from the world of art (both parents are chemical engineers by profession), supported her daughter's aspirations in every possible way, and today Diana Vishneva became famous all over the world for her talent.
Vocation
In Leningrad, on July 13, 1976, a girl was born in a family of chemists-engineers, who was destined to conquer the world of dance art in the future.
Her mother is a Tatar, Guzel Fagimovna. She came to Leningrad from Kyrgyzstan to study. Father - Viktor Gennadievich, a chemical engineer by education. Diana's mother herself always dreamed of becoming a ballerina, but her youngest daughter, who became one of the best ballerinas in the world, realized this desire.
When a 6-year-old girl with very thin legs and arms, her mother brought her by the hand to the dancecircle at the Palace of Pioneers in Leningrad, no one suspected what kind of swan would grow out of this duckling. As the choreographers recall, Diana was a very serious and thoughtful girl, she didn’t indulge in rehearsals, but carefully followed the teacher’s movements, “catching on the fly” every new step.
In 1987, at the age of 11, Vishneva, on the third attempt, entered the Vaganova Choreographic School in Leningrad (today the Academy of Russian Ballet).
First big win
One year before graduating from the Academy, in 1994 she simultaneously received the Gold Medal and the Grand Prix at Le Prix de Lausanne (an international ballet competition held annually in Lausanne, Switzerland). It was the first victory of the young Diana Vishneva. The dancer's biography is rich in victories in various competitions, but it was this most prestigious competition that gave her an incredible impetus to her future career.
Prima of the Mariinsky Theater
A year after winning the competition, while still a student of the Academy of Russian Ballet. A. Ya. Vaganova, Vishneva ended up at the Mariinsky Theater. Her career there began with the main role in Cinderella, the part of Kitri in Don Quixote and Masha in The Nutcracker. A year later, it was announced that Diana Vishneva became the new soloist of the world-famous St. Petersburg theater.
Debut at the Bolshoi Theater
The biography of a ballerina in Russia cannot be considered successful if she did not perform at the Bolshoi Theater. Vishneva managed to do this at only 20 years old, when in 1996she was invited to perform in the play Don Quixote. Vishneva's debut as Kitri on the stage of the Bolshoi Theater was awarded the Benois Dance prize, and later, for the performance of one of the parts of the ballet Symphony in C, she received the Golden Soffit prize.
Entering the international stage
Vested critics did not spare favorable reviews for Diana Vishneva, who had just started, but was already close to success. The biography of the dancer is the prizes of the most authoritative festivals, and approving reviews of the most famous ballet figures, and participation in international productions. In 2001, her international debut made a splash on the stages of the Bavarian Ballet Theater with the performance "Manon" and the La Scala Theater with "The Sleeping Beauty". A year later, Vishneva was invited to solo at the Berlin State Theater (Staatsoper), where she danced the main roles in the ballets Giselle, Swan Lake, and La Bayadère. In the same year, she appeared before the audience on the stage of the Paris Opera in the performances of Don Quixote, Manon, Swan Lake.
In 2003, Vishneva took part in some productions of the American Ballet Theatre. In the United States, the dancer became famous long before that: in 2002, the tour of the Mariinsky Theater in Washington was opened by the play Sleeping Beauty, where the main role was played by Diana Vishneva. The biography of the artist has an unobvious connection with the New World, since it was here in 2005 that she received the status of a prima ballerina. By that time, Vishneva had already gained wide international fame, she was called the best dancer. Europe.
Dream - "Swan Lake"
in America, she was able to fulfill her old dream - to dance the main roles in the ballets "Swan Lake" and "Raymonda". In her native theater, it was believed that the creative role of Vishneva was the passionate Carmen, which could not but resent the ballerina, who wanted to try herself in different guises.
However, soon, on the tenth anniversary of Vishneva's appearance on the stage of the Mariinsky Theatre, the new ballet season was opened precisely by Swan Lake with her in the title role. The following year, she managed to dance in this cult production on two of the greatest ballet stages: on the stage of the Paris Opera (edited by R. Nureyev) and the Bolshoi Theater (edited by Yu. Grigorovich). Having broken the applause in Moscow, Diana signed a contract with the Bolshoi Theater and became its guest soloist.
People's Artist and first independent project
In 2007, at the age of 30, Diana Vishneva was given the title of People's Artist of the Russian Federation. This year has become significant for the ballerina not only by the award of an honorary title, but also by the premiere of the first personal project Silenzio. Diana Vishneva. Vishneva's idea was to place her favorite fragments of classical ballets in a new dramatic context. According to the script, the action of the performance takes place in the ballerina's head, and its characters are the alternative personality of Vishneva. The production on the stage of the native Mariinsky Theater caused an unprecedented public outcry.
Other works by Diana Vishneva
Wishing to continue her success, Vishneva staged such ballets as "The Legend of Love" (2007), "Park" (2011), programs "Beauty in Motion" (2008), "Diana Vishneva: Dialogues" (2011), "Diana Vishneva: Facets" (2011). The crowning recognition of the ballerina's talent was her participation in the Opening Ceremony of the 2014 Winter Olympics in Sochi with the "Peace Dove Dance".
All of her productions have received very high marks from professional critics and recognition from a loving audience.
Work in another field
Today the whole world knows who Diana Vishneva is, whose biography, however, is not limited to brilliant ballet performances and everyday hard labor rehearsals. So, since 2007, she has been representing the Tatyana Parfenova fashion house. She is also known for social activities: in 2010, the Diana Vishneva Foundation was created by the ballerina. As the ballerina herself says, the Foundation is a charitable and cultural organization aimed at popularizing the art of ballet.
Diana Vishneva: biography, husband
Vishneva is a well-known secular and media character. How does Diana Vishneva live? Biography, the family of a famous ballerina - her fans are keenly interested in all this. They were able to satisfy their curiosity only recently - when it became known that in 2013 the ballerina and her producer Konstantin Selinevich got married in the Hawaiian Islands. The couple met at the 2008 Beijing Olympics. Then Konstantin was engaged in hockey production, in particular, he represented the interests of hockey player Alexander Ovechkin in the USA. Publicity of the ballerinalimited to coverage of her professional activities. Diana Vishneva, a biography whose personal life was hidden behind seven seals, was rumored to have had a passionate romantic relationship with her partner in the play Don Quixote, the famous dancer Farukh Ruzimatov, at the beginning of her career, but both artists never commented on this information.
In 2013, there were persistent rumors about the connection between Diana Vishneva and billionaire Roman Abramovich. However, both sides stubbornly denied all gossip.
Diana Vishneva today
At the present time, Diana Vishneva is deservedly considered one of the greatest ballerinas of our time. Critics call her a universal ballerina, comparing the body of a dancer with a Stradivarius violin. Her role is incredibly diverse. She equally successfully dances the passionate Carmen and immerses herself in the lyrical image of Giselle. Brilliantly performing all the roles, Diana pays attention not only to ballet technique - pirouettes and jumps, but also tries to convey the character's character to the viewer, to comprehend the acting essence of the image. For talent, diligence, versatility and penetration into the very essence of the image, the viewer loves Diana.
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