King Crimson: band's discography
King Crimson: band's discography

Video: King Crimson: band's discography

Video: King Crimson: band's discography
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King Crimson are a British rock band formed in November 1968. Its founder and only permanent member is virtuoso guitarist Robert Fripp. The nature of the musical sound of the group belongs to such styles as progressive rock, jazz-rock and new wave. The project has repeatedly been recognized as the best representative of the genre. The official discography of King Crimson can be found in the article below.

In the Court of the Crimson King

in the court of the crimson king
in the court of the crimson king

The first line in the discography of King Crimson is the band's debut album In the Court of the Crimson King ("At the Court of the Crimson King"). The record, released in 1969, had a strong influence on the development of rock music in such directions as psychedelic and progressive rock. According to Robert Fripp, the album was supposed to open such a genre as "intelligent heavy metal". Many critics have confirmed thatthe record did it.

In the Wake of Poseidon

In the Wake of Poseidon
In the Wake of Poseidon

The second studio album In the Wake of Poseidon ("In the Wake of Poseidon") was released in May 1970. The British charts allowed the record to reach the 4th line. Despite the fact that today the collection is considered a classic of progressive music, in the year of release it was met with ambiguous public reception, although it sold out better than the debut album.

Lizard

Lizard album
Lizard album

The group recorded the third album Lizard ("Lizard") in August and September 1970 with the same line-up and in the same studio where work on previous collections was carried out. The record appeared on the shelves in December of the same year. Many critics call Lizard the most "jazzy" of the entire work of King Crimson.

Islands

album islands
album islands

Fourth place in the discography of King Crimson takes the studio album Islands ("Islands"), released in December 1971. Many critics call this record a kind of bridge from the old sound to the new. This is the latest collection to have lyrics written by the band's co-founder and lyricist Peter Sinfield.

Larks’ Tongues in Aspic

Larks' Tongues in Aspic
Larks' Tongues in Aspic

King Crimson's fifth album, Larks' Tongues in Aspic, culminated in a compilation album in March 1973. Familiar band soundenriched with violin melodies and some exotic instruments. Instrumental parts often flow from jazz fusion to something close to heavy metal.

Starless and Bible Black

Starless and Bible Black
Starless and Bible Black

The sixth album Starless and Bible Black was released in March 1974. Some compositions of the collection were recorded during the concert, and applause was cut out during processing. As in the previous disc, the lyrics to the compositions were written by the poet Richard Palmer-James.

Red

Album Red
Album Red

The seventh creation of King Crimson is Red ("Red"). The album is always mentioned in the lists of the best works of progressive rock. The collection was released in November 1974 and became the band's last record, released in the 70s. After recording was completed in September '74, Robert Fripp disbanded the band.

Discipline

Album Discipline
Album Discipline

Discipline is the band's eighth studio album and first after a seven-year hiatus, released in 1981. Robert Fripp invited guitarist Adrian Belew and bassist Tony Levine to join the new line-up. The record had an updated sound of the "new wave", but had the usual rock basis. The reunion and release of the album were met with admiring responses. The band's lead singer Adrian Belew brought a poetic component to the updated King Crimson discography.

Beat

Album Beat
Album Beat

The band's ninth studio compilation was released in 1982. Record contentbased on the work of the beat generation. For example, the composition Neal and Jack and Me is inspired by the works of the American writer Jack Kerouac, and The Howler refers to Allen Ginsberg. Fans note the success of Fripp and Belew's guitar duet, which is the main difference between the "new" King Crimson and the "earlier" ones.

Three of a Perfect Pair

Three of a Perfect Pair
Three of a Perfect Pair

King Crimson's discography is replenished with the tenth anniversary album Three of a Perfect Pair ("Three of a great couple"). The record, released in March 1984, stands out for its unusual division of compositions into two parts, one of which is a series of experimental pieces.

THRAK

THRAK album
THRAK album

THRAK's eleventh album was released in 1995. The main track of VROOOM runs through the entire album, making it a single whole. The album received numerous awards and positive reviews. Now you can hear this album not only on vinyl. According to fans, the only correct digital format for the compositions of the collection in the discography of King Crimson is flac.

The ConstruKction of Light

the construction of light
the construction of light

The band's twelfth album The ConstruKction of Light was released in 2000. The collection was ambiguously received by the public, but also became an integral part of King Crimson and progressive rock in general.

The Power to Believe

the power to believe
the power to believe

The last album in King Crimson's discography is the 13thLP The Power to Believe. The collection was warmly received by the public, many compare it to the "heavy" Larks' Tongues in Aspic. The typical sound of the band is complemented by electronic and oriental sounds supported by powerful guitar riffs and drums.

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