Detailed analysis of Bryusov's poem "Creativity"

2024 Author: Leah Sherlock | [email protected]. Last modified: 2023-12-17 05:25

An analysis of Bryusov's poem is better to start with brief information about the poet, especially since he is an outstanding personality.

Valery Bryusov broke into the world of poetry at the end of the nineteenth century as a representative of the "young", new poetry (symbolism), created by him following the example of the French Verlaine, Malarme and Rimbaud. But not only symbolism interested the young poet at that time. Somehow he puzzled the audience with his outrageous monostiche about pale legs, thus declaring the artist's right to unlimited creative freedom.

For the happiness of connoisseurs of poetry, Bryusov did not limit himself to experiments only: he developed his poetic talent, filling his works with historical events and images from his own life. Often, he made strong personalities, characters of history or myths, being under the influence of Nietzsche's philosophy, the heroes of his poems. The appearance of more and more new collections was an illustration of how growing andBryusov's poetic skill grew stronger.

But the poet valued freedom above all else. In his early poem called "Creativity" there is no specific hero, or rather, he is a contemplator. And through his eyes the reader sees what is happening.

But the analysis of Bryusov's poem "Creativity", like any other work, must begin with an indication of the day and year of its creation. It was written on the first of March 1895 and was included in the collection of "young" poems "Masterpieces".

An analysis of Bryusov's poem once again confirms the main idea of the author that the artist is free to choose a theme, and even the mystical process of creation can become one.

The fact that the work refers to symbolism says a lot. For example, the vocabulary that the author uses to depict strange, unusual images: the blades of patching (leaves spread out in the form of five), like purple bizarre hands on the enamel wall, draw not lines, but sounds, without disturbing the “vociferous silence.”

A strange fantasy world appears before the reader: transparent pavilions (“kiosks”) appear from nowhere, “uncreated” creatures, shining in the light of two moons, or rather, the azure moon and the “naked” (without clouds) month. And this whole process is shrouded in secrets and dreams.

Analysis of Bryusov's poem revealed the use of such expressive means as color painting and sound painting. The text allegedly contains violet and azure colors, and for some reason the enamel wall is associated with white, although, apparently, the quality of its surface was meant -smoothness. The sonority of the frequently repeated "l", "r", "m" and "n" is designed to create a feeling of slowness, smoothness of movements, as if everything is happening under water. The music of this poem is mesmerizing!

Compositionally, it is constructed in an original way: the last line of the quatrain becomes the second in the next four lines. An analysis of Bryusov's poem shows that the lines, repeating themselves, interlock with each other, creating a continuous stream of fantastic consciousness and feelings.

Bryusov's poem "Creativity" unfolds slowly, as if to say that nothing is created immediately, you can never know anything for sure. The images are unsteady, fuzzy, they are gradually guessed by the lyrical hero. Perhaps this painful process of searching for the essence is called the “torment of creativity”?

All Bryusov's poems devoted to the process of creation are united by one main idea: creativity is infinite and free, it cannot be comprehended, it is afraid of clarity and loudness. As soon as an illusory image appears in a bright light under the gaze of an inquisitive critic, it immediately crumbles, giving no opportunity to study it closely and carefully. Such is his airy and fragile nature!