Golitsyn, "Forty Prospectors" - a story or a story? "Forty Prospectors": a summary

2024 Author: Leah Sherlock | [email protected]. Last modified: 2023-12-17 05:25

Let's try to figure out what Sergei Mikhailovich Golitsyn actually wrote? "Forty Prospectors" - a story or a story? Or maybe these are life stories that resulted in one big work?

A little about the author

Little Seryozha was born in the village of Bucharki, Tula province, on March 14, 1909. Father - a descendant of a princely family, was engaged in the organization of zemstvo shelters, schools and hospitals. Mother was a representative of the boyar class - Anna Sergeevna Lopukhina - apart from Sergei, she raised six more children and kept house. On Saturday evenings at the local village school, she arranged home reading for the children to develop their love of literature.

Based on the biographical notes of Sergei Mikhailovich, he developed an interest in writing from an early age. He read the works of the great classics: Pushkin, Tolstoy, Mine Reed and others and tried to write something of his own. The first person who read his children's works was precisely his mother, who alwaysI believed that he would become a wonderful writer. Gradually, this happened, already in the 30s of the last century, Sergei Golitsyn, a writer who published his first stories for children, published in the magazines known at that time: Chizh, Murzilka and World Pathfinder.

War years and after

The war came, and Sergei Mikhailovich had to change his creative plans and start looking for defensive sites and structures as a topographer, until 1946. During the confrontation with the German invaders, he managed to reach Berlin, but he did not stop writing, hoping that later the manuscripts would be printed.

In the early 60s, Sergei Golitsyn buys a small house in the village of Lyubets near Moscow and resumes his professional writing career. Golitsyn, already a larger-scale work, “Forty Prospectors”, is released into the light. Is a story or story a creation? The book is officially considered one of a series of books united by the same characters. Then comes "Tomboy Town" and "The Creepy Crocosaurus and His Children" which continue the story of the previous adventures.

His love of travel in stories for children

Every summer season, crowds of restless pioneers and Octobrists appeared in the vicinity of the village, who came to rest in nearby he alth resorts. Local attractions and amazing landscapes were directly created so that they had to constantly look for something. Behind every forest hillock, it seemed, some kind ofa secret just waiting to be discovered. This is exactly what Sergei Mikhailovich did, who collected all the information to understand what a story is, the definition was an expression of his thoughts on the pages.

Such walks in historical places in order to learn something new, to find out the features of the events that took place at one time suggest certain thoughts, and one can safely draw some parallel. The events experienced by the participants of the journey are closely intertwined with the actions of the characters invented by Golitsyn on the pages of his work. At the same time, stories for children contained not only walking walks of heroes that took place in real life. Not at all, in his descriptions they moved in search of new adventures by steamboat, train, bus and other modes of transport.

Reality and fantasy in the pages of books

In real life, Sergei Golitsyn went on another hike in the Yaroslavl and Vladimir regions, together with the guys from the boarding school. The main goal was to search for birch manuscripts, and along the way, he told travelers about local monuments and attractions. After some time, this adventure is reflected on the pages of the famous work "Behind the Birch Books".

The formulation of the question about what Golitsyn wrote can be considered incorrect. "Forty Prospectors" - a story or a story? The author did not try to invent anything supernatural, and the characters in his books are not some faceless characters. All the characters were written off by him from those around him.people with whom he met at certain periods of his life. With them, he experienced real emotions during his educational excursions, and everything that could not be done in the real world was successfully implemented on the pages of the book.

Traveling and hiking with children

Nevertheless, he constantly communicated with pioneers and ordinary children, continued to travel with them to nearby villages and villages, where together they searched for ancient exhibits for the museum. He justified it on the territory of one of the large pioneer camps and constantly replenished the collection with new artifacts. He often told schoolchildren the stories of military operations that took place on the territory of the Vladimir region.

Not far from the village for a long time was a tent camp for juvenile delinquent children. He often visited them, shared his richest knowledge in the history of his native land. He constantly communicated with them on the topic of correct life deeds, advised them on how to start building their own destiny from scratch, helped them in any way they could. Meeting with boarding school children, Sergey Golitsyn read "Forty Prospectors". A story or a story is a work - for children it was not important, because much more they appreciated the opportunity to communicate with this wonderful person.

Or maybe it's just a long story

In turn, what is a story - a definition that refers to a small literary action with a bright color that allows you to succinctly describe any life orfantastic events. I wonder how to correctly determine what Golitsyn wrote. "Forty Prospectors" - a story or a story? Most likely, for Sergei Mikhailovich there were no strict restrictions, as for any creative figure.

In terms of time, all the events described lasted in the real life of the author for many years, that is, all the free time that he devoted to communicating with children. Sergei Mikhailovich completed his long journey-searching with the work “Secrets of Old Radul”, known to many children. Golitsyn simply drew a line and set to work on a more serious genre of local history descriptions.

Or still a story

What is a story? The definition says that it is somewhere in the middle between a novel and a short story. In the case of the first genre, this refers to a description of a long period of life of the main characters, but as for the second, here only one bright event is taken as an idea. It is difficult to give an unambiguous explanation of what Golitsyn wrote, "Forty Prospectors" - is it a story or not. After all, it is known that this book is only one part of a whole series of stories. The inextricable connection of the main characters can be traced in the "Town of Tomboys", as well as the story about the tourist trip "For Birch Books".

His inventor of the theory of prospectors is so similar to his own son, and his little neighbor Stachinka could be the prototype of any Soviet pioneer of those times. The children's doctor in The Forty Prospectors bears a striking resemblance to the author himself in real life. illustrator in pictures forThe book managed to convey the external similarity between fictional characters and real ones. We can say that Sergei Mikhailovich created an amazing story, the definition of which is developed in interesting and vivid stories.

Open to every inhabitant of their homeland

He wrote stories for children, amazing in their content, and the guys felt in Golitsyn an open person, even more - “one of their own” and constantly circled around him with numerous questions, to which he always knew the answer. Sergei Golitsyn wrote his works, which were designed for middle and high school students, until 1972, when The Secret of Old Radul was published. It was the final part, which told us about the adventures of a children's doctor and company, and represents a whole genre. "Forty Prospectors" (Golitsyn) can be put on the same level with the work "The Adventure of Dunno and His Friends" (Nosov).

His concern for historical monuments was realized at the highest level. All the information he found in the annals indicated that many wooden houses remained here, built back in the days of Vladimir-Suzdal Russia and which are monuments of folk architecture. Thanks to his efforts, the building of the ancient church in Lyubtsy, which was erected by architects in 1694, was completely restored. According to his will, near her at the local cemetery, he was buried in 1989, where to this day he rests in peace.