Analysis of Fet's poem "Spring Rain" and the poet's work

2024 Author: Leah Sherlock | [email protected]. Last modified: 2023-12-17 05:25

Afanasy Afanasyevich Fet is another Russian poet with a difficult fate. The great composer P. I. Tchaikovsky called him a musician because of the lightness, brightness and lyricism of his lines.

A. A. Fet loved nature, knew how to see its beauty. He tried to convey this beauty to the readers of his poems.

The life of A. A. Fet

As mentioned above, A. A. Fet is a poet with a difficult fate. Fet was the son of the famous landowner A. N. Shenshin. But due to the fact that the poet was born a few months before the marriage of his parents - A. Shenshin and Charlotte Fet - the spiritual authorities considered that little Athanasius could not be Shenshin's heir. He was given his mother's surname and was deprived of his inheritance rights.

Deprived of his nobility, A. A. Fet tried all his life to regain it. At first he tried to earn the rank of nobility through a military career, but the poet soon retired. He then decided to take up rural activities. Fet got married and bought a small estate in the Mtsensk district. He lived there for about 17 years, and there he was caught by an order to returnnoble title.

Creativity by A. Fet

A. Fet's literary career was also not easy. We can say that his poems fell "in the wrong era." Literature was crowned by prose writers who had the means to publish their works. A. Fet published his poems in the press, but they were simply not noticed.

Nevertheless, in 1840 the first collection of poems by A. Fet - "Lyrical Pantheon" was created. A little later - the cycle "Snow" and "Evenings and Nights".

Poems dedicated to the beauty of nature are combined into 4 significant cycles. Each cycle is a specific time of the year. Thus, A. Fet's poems about nature are the cycles "Spring", "Summer", "Autumn", "Snow".

Analysis of Fet's poem "Spring Rain"

The poem "Spring rain" refers to the cycle "Spring". If we talk about the genre, then the work can be attributed to a kind of landscape sketch, against the background of which are the reflections of the lyrical hero.

One of the features of A. Fet as a poet is his photographic nature: almost every poem is a picture that can be embodied on canvas. Such is the poem "Spring Rain" (Fet). An analysis of the poem shows that the following picture appears before us: twilight sunlight, a little fog, and a forest nearby. Odors play a special role - it smells of linden and honey. It is not necessary to analyze Fet's poem "Spring Rain" in order to feel like a witnessthis miracle of nature. The poet himself looks at nature, peers into every element of it, makes an analysis of it. Fet's poems - "Spring Rain" and many others - are amazing beauty seen in familiar, seemingly banal phenomena.

Very important is the motif of light penetrating all the lines. The light is visible at the beginning of the poem ("Light in front of the window…") and at the end - the forest in the "golden dust".

This is the semantic analysis of Fet's poem "Spring Rain". Let's turn to the features of the syllable and rhyme.

Size and means of expression in the poem "Spring Rain" (Fet)

An analysis of the poem from the literary side is as follows. First, let's note the poetic size (it is determined by the placement of stresses in words). In the poem, the stress alternates, starting with an unstressed syllable, and at the beginning of the 3rd line it is omitted. The poem is written in iambic tetrameter with pyrrhic (missing stress).

Secondly, we note the presence of adverbs "still" and "already". This is important if you do an analysis of Fet's poem "Spring Rain". Grade 5 includes this poem in the curriculum. Adverbs indicate the imminent approach of rain.

Thirdly, you should focus on visual means. We continue the analysis of Fet's poem "Spring Rain": epithets are an integral part of any poem. In the one we are considering, this is a forest in the "goldendust", i.e. sunlit, "scented honey", "fresh leaves".

The author did not fail to use impersonation. This is an image of a sparrow bathing in sand.

Fourthly, let's pay attention to the rhyme. It is cross (the first line rhymes with the third, and the second with the fourth). By the nature of the falling stress on the last syllables, the rhyme used is both masculine (2 and 4 lines of each stanza) and feminine (1 and 3 lines of each stanza).

A. Fet was a brilliant romantic, despite the hardships of life that he had to endure. He managed to maintain a careful, attentive attitude towards the world.