2025 Author: Leah Sherlock | [email protected]. Last modified: 2025-01-24 17:46
Isakova Victoria is familiar to Russian viewers for her numerous roles in domestic TV series. The actress has a memorable appearance and, no doubt, copes well with her roles. Let's remember her best film works.
Victoria Isakova, filmography. "Piranha Hunt"
Andrey Kavun's action movie "Piranha Hunt" immediately imprints in the memory of the viewer: a good cast, a dynamic plot, spectacular outdoor shooting. Isakova Victoria in this film played by no means a simple role: her heroine, Sinilga, is a degrading personality, takes drugs and indulges in very dubious pleasures along with her psychopathic friend Prokhor (Evgeny Mironov).
Sinilga is part of a cheerful company that hunts living people in the taiga. The role of one of these living "targets" was played by Vladimir Mashkov. Sinilga dies during one of the fights.
In the movie "Piranha Hunt" Isakova does not look like herself: a pale sickly face and snow-white pigtails. But the actress did a good job with the role of a half-crazy drug addict.
The Tower TV series
Isakova Victoria knows how to chooseinteresting movie roles. On her account - participation in another exciting project - the mystical series "The Tower".
According to the plot, the heroine of Isakova - a pregnant Eva - is locked in a fashionable building called "The Tower" along with several people she does not know. Isolated from the whole world, the heroes of the series are faced with the fact that a phantasmagoric space has formed around them, in which time does not flow as usual. Moreover, people locked in the tower have absolutely no idea how to get out of it. The only thing that all the recluses have in common is that they were somehow connected in the past with the creator and designer of the building.
This time Igor Kostolevsky, Vitaly Kishchenko, Evgenia Osipova, Chulpan Khamatova and Agniya Kuznetsova became partners on the stage of Victoria.
Mirrors
Isakova Victoria in the 2013 film "Mirrors" played the role of the famous poetess Marina Tsvetaeva. This is the first biopic that has focused on the life of this outstanding woman.
The picture covers that period of Tsvetaeva's life when she was fascinated by Sergei Efron. Short story after short story, director Marina Migunova shows the days of their first meeting in Koktebel, then the revolution, the emigration of the poetess to Paris and Prague, her return to the Soviet Union. And, of course, that episode of life when she receives news of the death of her beloved man.
Perhaps between Victoria and Tsvetaeva there is something in common in character and temperament, because this role can rightly beconsidered one of the best in Isakova's filmography.
Thaw
Victoria Isakova, whose photos often appear in magazines for some time now, was noted in another sensational film - "The Thaw". The film was directed by Valery Todorovsky. The shooting involved such stars of Russian cinema as Evgeny Tsyganov, Mikhail Efremov, Anna Chipovskaya. The music for the series was written by Konstantin Meladze.
At the center of the dynamically developing plot is the Soviet era of the 60s and the life that the acting and director's intelligentsia lived. Victoria Isakova played the role of actress Inga Khrustaleva, a thirty-year-old woman who seemed to have a successful career, but a complete failure in her personal life. Khrustaleva is trying to take a hit and remain cool, but she is not very successful in the role of a bitch.
Motherland
Thriller "Motherland" was filmed based on the Israeli TV series "Prisoners of War". Victoria Isakova again shines in the frame paired with Vladimir Mashkov.
Isakova's heroine is Anna Zimina, who works as an expert analyst in the FSB and is trying to expose the hero Mashkov in connection with terrorists. This fight ends badly for the woman: although she was right in her suspicions, Bragin (Vladimir Mashkov) at the last moment changes his mind about committing a terrorist attack, so for everyone around Zimina remains only a madwoman who exceeded her powers and slandered the hero of Russia. At the end of the film, Zimina herself does not understand where reality is and where her fantasy is, so she voluntarily enters a psychiatric clinic andconsents to electroshock treatment.
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