Impression is an impression conveyed on canvas

2024 Author: Leah Sherlock | [email protected]. Last modified: 2023-12-17 05:25

French art of the 19th century marked a break with the traditions of European painting. The Impressionists incorporated new scientific research into the physics of color to achieve more accurate reproduction of color and tone.

This led to a change in methodology: the paint was applied in small strokes of solid color, rather than the broader and more mixed ones as before, which allowed for a certain fleeting impression of color and light to be captured. As a result, the artist's perception of what he depicted in the picture was emphasized.

Variety of meanings

Impression is generally understood as something related to art. However, this concept has many meanings. At the same time, all of them, one way or another, are connected with perception.

Impression is, firstly, a characteristic, sign or function resulting from some influence. It can also be seen as an impression of behavior generated by the social environment. Second, it can be defined as the effect of change or improvement. Thirdly, impression is a vivid image that made an impression onfeelings or mind, including the effect produced by a certain impression. It can also be an act of impression, a vague or imprecise concept or memory. Fourthly, it is considered as the transfer of form, attribute or character, by an external force or influence. Fifthly, impression is a particularly noticeable and often favorable influence on the feeling or mind or the act of impression. In addition, impression refers to the first layer of color in a painting, as well as the imitation or presentation of distinctive features in an artistic or theatrical environment.

Impressionism as a trend in art

Impressionism is a style of painting in which the artist conveys the image of an object as it would look at a fleeting glance. The Impressionists paint pictures with a lot of color and most of their paintings are outdoor scenes. Artists like to convey images without details, but using bold colors. The greatest Impressionist painters were Edouard Manet, Camille Pissarro, Edgar Degas, Claude Monet, Berthe Morisot and Pierre Auguste Renoir. The concept of impression is actually the basis of this artistic movement.

Impressionism is the first modern movement in painting. It began in Paris in the 1860s. He extended his influence throughout Europe and into the United States. Its creators were artists who rejected official, government-sanctioned exhibitions or salons and were therefore ignored by serious academic art institutions. The Impressionists sought to capture the instantaneous, sensualscene effect. To achieve this effect, many artists working in this direction have moved from the studio to the streets and countryside, painting in the open air.

Impressionist painters

Manet was perhaps the most influential artist in Impressionism. He painted ordinary objects. He was also interested in subtle changes in the atmosphere. Pissarro and Sisley painted the French countryside and river scenes. Degas loved to paint ballerinas and horse races. Morisot - women involved in daily activities. Renoir liked to show the effect of sunlight on flowers and figures.

Although the term "Impressionism" covers a significant part of the art of this time, it did not have very many varieties.

Pointillism

Pointillism developed out of Impressionism and was based on the technique of using many small dots of color to give a painting a sense of vibrancy when viewed from a distance. Dots of equal size never merge in the viewer's perception, resulting in a flickering effect, similar to the trembling of the air on a hot sunny day. The founder and one of its leading representatives was Georges Seurat, who first used this concept in relation to his painting "Sunday on the Island of Grande Jatte" (1886).

Sera was part of the Neo-Impressionist movement, which included Camille Pissarro, Paul Gauguin, Henri Matisse, Henri de Toulouse-Lautrec and Paul Signac. The word "divinism" describes the theory they held: divinism (or chromoluminarism) is the division of colors into distinct dots that interact optically. The effect of thisThe technique often produced brighter colors than the traditional color mixing approach.

The neo-impressionist movement developed for a short time, but was very influential in the history of art. The term "Divinism" was also used in relation to the Italian version of Neo-Impressionism in the 1890s and early 1900s, and can be traced back to Futurism, which was born in 1909.

Key ideas

The Impressionists in their work ceased to rely on traditional linear perspective and avoided the clarity of form, which had previously been used to distinguish the more important elements of the image from the rest. That is why many critics were mistaken in evaluating the paintings of the Impressionists, considering them unfinished and amateurish. Thanks to their paintings, one could most accurately understand what impression is.

Using the ideas expressed by Gustave Courbet, the Impressionists sought to convey the present by expanding the possible subjects for paintings. Moving away from illustrations of idealized forms and perfect symmetry, they focused on the world as they saw it, in all its imperfections.

The essence of the impressionist idea was to grab a fraction of a second of life and capture it on canvas, to create an impression.

In the science of that time, the assumption was already voiced that what the eye perceived and what the brain understood was completely different. The Impressionists tried to convey on their canvases the perception of the eye -optical effects of light. Their art was not necessarily based on realistic images.

Impressionism reflects the consequences of the mass renovation of Paris in the mid-19th century, which was carried out by urban planner Georges-Eugène Haussmann. These updates included new train stations; spacious, tree-lined boulevards that replaced the former narrow, crowded streets; luxury apartment buildings. The works, which depicted scenes of leisure, cafes and cabarets, were a way to convey a new sense of alienation inherent in the inhabitants of the first metropolis.