Polina Barskova: biography and creativity

2024 Author: Leah Sherlock | [email protected]. Last modified: 2023-12-17 05:25

Today we will tell you who Polina Barskova is. Her biography will be discussed in detail later. This is a Russian prose writer and poet. Our heroine was born in Leningrad, in 1976, on February 4th. Currently lives in the USA. He is the winner of several literary awards, including the name of Andrei Bely. She was awarded the first book of prose called "Living Voices".

Biography

Polina Barskova studied at the Department of Classical Philology at St. Petersburg University. Graduated from this university. Since 1998 she studied in the USA, attended the University of California (Berkeley). Her scientific work concerns Russian prose of the thirties (Yegunov, Vaginov). He is a teacher of Russian literature at Amherst at Hampshire College.

Rhyme

The main literary form in which Polina Barskova showed herself is poetry. She is a rare example of a poet prodigy. At the same time, having matured, she did not get lost.in the literary world. Valery Shubinsky notes that the youthful voice of our heroine was distorted by interference in the form of coquetry, deliberate inorganic rudeness or imaginative hodgepodge. This did not allow to hear the poetess. At the same time, early, not quite deserved, success did not contribute to exactingness in relation to oneself. At the same time, her voice was strong by nature and, having reached maturity, made its way through various extraneous noises. She has a sensual soprano voice that is exciting yet capable of calmness.

Debut

Polina Barskova participated in a literary association led by Vyacheslav Leikin. There she experienced a significant influence of Vsevolod Zelchenko, a senior comrade. The first book of our heroine was published in 1991. Then she became a Laureate at the All-Union Festival of Young Poets. Later, Polina Barskova was awarded first place in a literary competition called Teneta, as well as the Moscow Transit Prize. In the early works of our heroine, the influence of some late romantics, in particular French ones, was felt. Among them are Rimbaud, Lautreamont, Baudelaire.

Rating

Dmitry Kuzmin called her poetry very sensual. She has a romantic warehouse. The works combine gloomy coloring and strong emotional tension. These works are not too similar to the more restrained St. Petersburg work of recent decades. In some ways, one can even see the closeness of the intonations of our heroine with the early work of Evgeny Rein, who is her biological father and Russianpoet. It can also be compared with a circle of lesser-known authors who worked at the turn of the sixties and seventies of the last century. Among them are Ozhiganov and Mironov. They made an attempt to create something similar to the French "damned poets" on Russian soil. These authors were overlooked in Russia due to the socio-political problems that poetry was then directed at, like other art forms. In 2000, our heroine tried to characterize her work. She noted that in her works everyone sees something of their own: modernity, Peter, arrogance, chase, scandalousness, vulgarity, sentimentality, boulevardism, negligence, shamelessness, emptiness. Judgments were made about the influence on our heroine of the work of Joseph Brodsky. The poetess herself noted that for her he is neither a teacher nor an idol. He is a language environment for her. According to the poetess, it was precisely this perception that Joseph Brodsky wanted to achieve. A similar relationship can be with the Bible, or, in the case of ancient schoolchildren, with the great Homer. Brodsky spoke the language of Russian poetry. In 2000, Danila Davydov noted that our heroine had abandoned her authoritarian intonation. By 2006, her position had changed significantly. According to her, the usual framework does not fit the new literature, and the system in which the presence of a poetic giant was a weapon, a consolation, an excuse, a compass, an umbrella, is gone. Currently, our heroine is working on the work "Petersburg under blockade". Fragments of the future book were published in Russian periodicals. In particular, the New Literary Review,"Safeguard".

Bibliography

The first book written by Polina Barskova was called "Christmas". In 1993, the work "The Race of the Disgusted" was published. In 1997, the work of Mette Dalsgaard was published. In 2000, the book "Eurideus and Orphics" was published. In 2001, "Arias" appear. In 2005, our heroine writes Brazilian Scenes. In 2007, the work "Wandering Musicians" was published. In 2010, the book "Direct Control" appears. In 2011 Ariel's Message is published. Another book written by Polina Barskova is Living Pictures. This work was published in 2014. In this book, the author discusses such a difficult work as forgiveness. It involves responsibility to oneself, and often turns into the fault of the one who forgot about the grievances. The author, through the prose cited in this work, seeks to study people under the historical small scope and achieve a huge saving approximation.

The Master of the Garden was published in 2015