Rylov Arkady Alexandrovich: biography, photos and interesting facts

2024 Author: Leah Sherlock | [email protected]. Last modified: 2023-12-17 05:25

Rylov Arkady Alexandrovich is a wonderful Russian Soviet artist. His paintings have a strong emotional impact, causing a feeling of unaccountable joy.

The life of an artist

Rylov Arkady Aleksandrovich was born in 1870 in the village of Istobensk, Orlovsky district, Vyatka province. This happened on the way to Vyatka, where his parents were heading. The future artist was brought up by his stepfather, a notary who worked in Vyatka, since his own father suffered from a mental disorder. A small quiet town and the nature around it evoked poetic feelings in the child, who asked to capture them in paint.

After graduating from high school, at the age of 18 he went to St. Petersburg and entered the Central School of Technical Drawing of Baron A. L. Stieglitz, where he studied for three years. At the same time, Rylov Arkady Alexandrovich studied at the Drawing School at the Society for the Encouragement of Artists. He, apparently, wanted to quickly comprehend all the technical possibilities that would help him open up as a painter. But the student is suddenly drafted into the army. After serving in it, Rylov is admitted to the Academy of ArtsSt. Petersburg. He also dreams of studying with the brilliant innovator-experimenter A. Kuindzhi, whose name then thundered both in Russia and abroad. His "Moonlight Night on the Dnieper" (1880) made a splash among the public and caused ambiguous statements from his fellows in the shop. In 1894, Rylov Arkady Alexandrovich began to study in the workshop of Arkhip Ivanovich, who was a wonderful teacher. With his own money (he spent very little on his family), A. Kuindzhi took his students to the Crimea and abroad, paid scholarships to the poor (remembering his own disastrous beginning of his studies). What did training in this workshop give Rylov? He learned to create romantic holistic images, paying attention to lighting effects, and tried to work as much as possible in the open air, so Arkhip Ivanovich believed that nature is the most important teacher.

In 1897, he completed his studies at the Academy, and Rylov received the title of artist. Then Arkady Alexandrovich made a trip abroad, visiting Germany, France and Austria. He meets the beginning of the new century as a well-formed landscape painter. Near Vyatka and St. Petersburg, he writes a lot of sketches and devotes two years to working on the painting "Green Noise" (1904).

Landscape element

This work of a young but already experienced master can now be admired in the Russian Museum.

In the foreground is a green hillock descending to a meandering incredible blue river. On it, the green crowns of white birches, old and young, tremble under strong gusts of wind. Above them in the blue sky runcumulus white clouds with blue shadows. Saturated color combinations of color. Only an old pine tree with a thick trunk stands steadily, giving balance to the composition. In the gap between the trees - an immense distance. This achieves the dynamic solution of space. Three white triangles can be seen on the river. Are these boats of fishermen? The joy of belonging to the landscape opened for him by the painter comes to the viewer, and he sees the wonderful moments of life.

Further work

Paying attention to Rylov's pedagogical talents, he was invited to teach an animalistic class (1902 - 1918) at the Drawing School under the Society for the Encouragement of Artists. So combined the work of the painter and teacher Rylov Arkady Alexandrovich, whose biography we present. In it, the painter arranged a real living corner where squirrels, a monkey, hares, and birds lived. There were even two anthills. Isn't it interesting? A beautiful self-portrait with a squirrel was already posted at the beginning of the article, but now I want to look at his forest landscape.

The Forest People (1910)

In the wilderness of a forest corner, where there is no one but a silent and motionless artist, squirrels frolic merrily, jumping from branch to branch. Something has caught the attention of a curious animal that is in the corner on the left. He is all stretched out, froze for a moment and carefully looks.

A few more seconds, and the squirrel will again begin to run across the fluffy paws of old fir trees. If you follow the direction of her gaze and mentally draw a straight line,then we will see a white-breasted woodpecker with black wings, which works hard, getting larvae from under the bark on a tree trunk that stands on a mossy carpet. The triangular composition is created by the second squirrel sitting on the branches above. The color of the canvas is extremely saturated with all shades of green and contrasting red summer skins of cheerful animals.

After the revolution

The artist supported the power of the Soviets and was a member of the art association AHRR, participated in exhibitions of revolutionary artists. In memory of A. Kuindzhi, a society was created in which Rylov was not only the founder, but also the chairman. The painter received the title of Honored Artist of the RSFSR in 1935. Recognized by the authorities and the people, Rylov Arkady Aleksandrovich, whose brief biography is coming to an end in our article, died in Leningrad in 1939.

Field Rowan

So Arkady Aleksandrovich called a modest landscape painted in 1922.

The diagonal is set by a quiet ultramarine purest stream. On the left, thin openwork birch branches peep out. In the foreground is a lawn overgrown with yellow tansy with dark green leaves and dense umbrellas of white, honey-smelling flowers. A quiet river corner was found by Rylov Arkady Alexandrovich. "Field Rowan" became a song to the world that came after the wars that shook the country. No human has set foot here. The tall, dense grass is not flattened, bushes stand quietly along the steep banks of the river, behind which again, as the artist loves, immense Russian spacious andfree gave, where you breathe deeply and calmly. The horizon is covered by a barely visible strip of bluish-green forest. On the field behind the river, the trees grown in the clearing were huddled together. There is a stack nearby. There was the first mowing. Above the classical compositional triangle formed by the river and the far field, fluffy white clouds froze in the windless sky, through which azure peeps in some places. This is a favorite Central Russian landscape, which is dear to the heart and soul. The emotional impact is great. He intensifies love for such a simple native nature and, in general, for his small homeland. Shows the hidden corners Rylov Arkady Alexandrovich. "Field Rowan" - an essay that is taught to write at school, then, with age, will lead to one's own vision of the discreet beauty of the Russian expanse.

The Red Roofed House (1933)

The landscape was dominated by two huge birch trees standing exactly in the center of the picture, and a majestic blue summer sky with snow-white clouds occupying two-thirds of the canvas.

Beside them, not trying to compete, a corner of a coniferous forest peeps out to the left. The abundance of all shades of green that the artist found on his palette on this sultry summer day is striking: the greenish-yellow color of the mowed meadow, the dark green forest, the joyful fresh green of the birch trees, the light green of the bushes and fruit trees at the foot of the forest and covering the cozy house on the other side of the canvas. Arkady Alexandrovich Rylov sang a magnificent song for the crown of summer. A house with a red roof, with white pipes andwhitewashed walls, excites the imagination: who created this beauty and who was lucky enough to live in it. We see one character, a charming woman in a white dress, who slowly removes hay. Joy is the definition that brings all the paintings that Rylov wrote Arkady Alexandrovich, a landscape painter.

The most famous painting

The painting "In the Blue Space" (1918) enchants and bewitches once and for all. A flock of swans in the sky, a blue sea with a sailboat are calling for a romantic distance.

The artist painted it in the cold gray Petrograd, where there was not even firewood to heat the room. But the picture is full of bright light, delight, jubilation. In the viewer, it causes a slight euphoria, turning into amazement at the mastery of the author.

Green Lace (1928)

A soft green clearing in the spring forest is slightly opened to the viewer by the painter.

On the left it is limited by a dense forest, but for us it looks through delicate, fragile, graceful bushes covered with whitish greenery. There are no sharp contrasts in the color combination. Their relationships are smooth and natural. The airiness that permeates the image caresses the eye and makes one wonder how such a beautiful place can be kept intact and virgin. I would like to protect it from the rough touches of a person and, with bated breath, endlessly admire the splendor of nature, transferred to the canvas with such skill.

In a fairy tale– Wilderness (1920)

Now the multifaceted talent of the painter has led us to the magical forest lake.

Its dark, green waters, surrounded by a mysterious forest along the shore, where goblin lives, where the sorcerer lives, does not frighten, but fascinate. Arkady Alexandrovich Rylov himself is a magician and a sorcerer, since he found this place hidden from everyone. The lake, which occupies a third of the picture, comes close to the frame, and on the opposite shore it is overgrown with sedge and moss. One can see bare roots and the remains of whitening trunks that have fallen into black waters. The feeling of expectation does not leave that someone should now go out to the water and sit down, thinking in sadness. Masterfully, as in all his landscapes, he uses green, collecting all its shades on the canvas, the artist. The picture leads to ancient Russia, where there has always been a place for a sorcerer and a miracle worker who can save from grief and sadness with his powerful knowledge. The work awakens a fantasy that has disappeared in the hustle and bustle of city life.

Arkady Alexandrovich Rylov left us a priceless legacy - his soul, embodied in canvases.