2024 Author: Leah Sherlock | [email protected]. Last modified: 2023-12-17 05:25
How did people live without phones, television, DVDs? They listened to the radio. Now it's hard to imagine, but the radio was loved. True, he had a completely different face. To understand this, let's turn to the "Golden Fund of Radio Performances".
Role of radio
When there was no TV, it wasn't boring at all. Every house had a radio, every street had loudspeakers. In addition to music and news, interesting programs, broadcasts of football matches, recordings of concerts and radio performances sounded on the air.
This was a new kind of theatrical art. Just as silent films are understandable without words, so are audio productions understandable without visual perception. In the evenings, performances were broadcast for the whole family, during the day there were children's programs.
In the twentieth century, an extensive archive of radio recordings was created. He did not disappear, these valuable works are collected in collections and now anyone can listen to them. Behind the name "Golden Fund of Radio Performances" is the painstaking work of finding the film, cleaning it from noise and digitizing it.
In past productionsthe voices of famous actors, masters of the stage sound. The images they create are voluminous and significant. In those days there were not so many deviations from the text and new interpretations as now. Therefore, schoolchildren were recommended to listen to performances studied under the literature program.
History of the creation of the project
For several years, the cycle "Golden Fund of Radio Performances" was created. Phonograms were searched for and digitized. Some radio archives were sent from afar to Moscow. Much was done on enthusiasm. The first sound files were published in 2003. At that time, the BK-MTGC studio took up the restoration of radio performances of past years. They were wanted. Then noise and crackling were removed, adjusted to modern frequency technology, and the sound level was leveled.
The studio was also working on new recordings. Modern actors were involved in this work, whose voices are easily recognizable. These are M. Boyarsky, Y. Rutberg, K. Khabensky, A. Arkanov.
"The Golden Fund of Radio Performances" is a collection of works of different genres, which are united by the artistic word. The recording studio "Maistra", which is indicated by the publisher, was engaged in the digitization of Soviet radio performances of the State Television and Radio Fund and released this cycle together with the studio "Stereokniga".
What is included in the playbooks
The contents of the collections are rich. One listener called it "gold". Yes, the fund is golden, but not from material value, but from spiritual value. Famous performances of the Taganka Theatre, the Maly Theatre, the Bolshoi Theater, the old Moscow Art Theater, the Moscow City Council…
In addition to performances, they contain artistically performed stories. You can't confuse them with an audiobook. Requiring a director's hand, the one-man performance is saturated with the atmosphere of sounds. It is worth closing your eyes - and the complete impression that you are in the place of the described events.
The collection “The Golden Fund of Radio Plays, Part 8” alone contains the stories of O. Henry and Chekhov, Babel and Arkanov, Jerome K. Jerome, the performances “Evenings on the Farm” by Gogol, “Richard the Third” by Shakespeare, “Five evenings according to Volodin. And this is a small part of it.
Actors playing radio roles
Voices of R. Plyatt and F. Ranevskaya, M. Babanova and V. Maretskaya, G. Markov and G. Taratorkin. All that they did not have time to see, that they could not forget, having seen once. They are recognizable, one immediately remembers the special manner of playing favorite actors. The image in the imagination is drawn quickly.
This is an indispensable help to students of acting departments of universities. Thanks to the Golden Fund of Radio Performances project, you can hear the voice of V. Vysotsky, V. Smekhov, V. Zolotukhin, A. Mironov, M. Ulyanov, S. Mishulin, E. Evstigneev, A. Papanov, O. Tabakov, M. Kozakov, V. Innocent, V. Etush, V. Gaft, V. Vasilyeva, T. Pelzer, A. Batalov, A. Dzhigarkhanyan, I. Kostolevsky, O. Aroseva, V. Lanovoy, V. Sperantova, V. Tikhonov, L. Bronevoy, O. Efremov and many others.
Many are gone, but the voices remain. And they seem to be with us. This is wonderful.
"Golden Fund of Radio Performances": reviews
Poreviews left on the Internet, you can see people who are hungry for real theatre, good literature, quality performance. They write and thank for the great work done, for preserving the precious archive. Rated ten plus. They are enthusiastic. Listen at work, on the road, at home. Forget about everything, listening to the masters of the word.
Many share that they have been looking for this or that work, production for a very long time. They are glad that they found it, report in the comments. Some have rediscovered Chekhov.
Many people are interested in getting to know the classics, but someone prefers exciting stories. They can also be found in the Golden Fund of Radio Performances. A. Christie, G. Wells, A. and B. Strugatsky and other science fiction writers and authors of detective stories are brilliantly represented in the collection of productions.
Cons of audio recording
The specificity of digitization explains that music sometimes drowns out the text. It is difficult to make out the voice behind the musical accompaniment. So, A. Christie's short story "Nightingale Cottage" is very difficult to listen to because of this.
Listeners criticized the performance of the actress playing the role of Miss Marple. Apparently, the image of the heroine of the detectives Agatha Christie, created on the screen, captured in the films, prevented the perception of the radio play. Her voice is called terrible, talking with her mouth full is annoying. It is unlikely that a well-mannered Englishwoman would conduct a conversation like that.
Features of the radio play
"The Golden Fund of Radio Performances" is not just soundtracks of theatrical productions. The radio has its ownspecificity. Remarks, explanations, sound effects, special diction are needed here. In a word, this is the work of a whole team of professionals on one radio show.
Basically, the stages of working on a radio play are as follows:
1. Explication - adaptation of the text for radio. Place and time are determined by sounds, music, noises.
2. Voice recording - selection of actors with a suitable timbre. All actors involved in a radio play must have different voice colors. After recording, editing is carried out. That is, special effects processing.
3. Music and noises - selected and recorded taking into account the emotional coloring of the work. It is compared by timbre, loudness and mounted for certain time intervals. A specific atmosphere of noise is created, steps are superimposed, etc.
Literary taste
Thanks to listening to radio plays, children develop literate speech. The child learns to correctly emphasize, use phraseological units, quotes from classical works in speech. It enriches spiritually and broadens one's horizons. In addition, a good literary taste is acquired.
Today, very few specialists are engaged in recording audio performances. Director V. F. Trukhan, who has been working on the radio from a young age, believes that in order for people to understand what a wonderful art it is - audio theater, they should be given a try.
Try to listen to the production from the Golden Fundradio performances , indulge in this pleasure.
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