2024 Author: Leah Sherlock | [email protected]. Last modified: 2023-12-17 05:25
Modern is an artistic style that emerged in Europe at the turn of the 19th-20th centuries under the influence of Japanese and ancient Egyptian art. In different countries, it can be called differently - art nouveau, art nouveau, secession. But its general features are similar. Smooth stringy lines, reminiscent of a wave or a blow of a whip, a deliberate lack of symmetry, and, of course, an ornament.
In Art Nouveau, patterns are no longer an optional detail, but the most important emotionally rich rhythmic element. Here we will reveal the secret of these patterns.
Modernly, patterns in the Art Nouveau style can be divided into several groups.
Vegetable patterns
Ivy and bindweed, iris flowers, roses, lilies, orchids, chestnut leaves, thistles were especially popular. The value for the artist was not only the shape of the plant, the bends of its stem or petals, but also the allegorical meaning. Roses are a symbol of love, iris - languor and bliss, thistle - independence, lily - innocence and death.
Stylized Animals
Mysterious bats became perhaps the most popular amonganimal artists. They symbolized the spirits of the night, the ability to feel the hidden forces of nature, already lost by man.
Swans were also abundant with their exquisite beauty - an allegorical union of love and death.
Peacocks and their feathers are one of the few images filled with joy, a symbol of the sun and rebirth.
Insects
Of course, the images of insects are most effectively embodied in the jewelry of the famous Rene Lalique, in a variety of patterns they are very impressive. Dragonflies, butterflies, Egyptian scarabs - they were wildly popular in the Victorian era, but during the modern period their forms were rethought.
Female images
A special place among the patterns of Art Nouveau was occupied by the female image. Seductive dancers, naked nymphs, all sorts of allegories of the seasons and fertility, mysterious witches with flying strands of hair are intertwined in the ornaments of Mucha's or Toulouse-Lautrec's posters and look at us from the facades of Moscow tenement houses.
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