Artistic images are the result of reflection of objects of reality

2024 Author: Leah Sherlock | [email protected]. Last modified: 2023-12-17 05:25

Literary images are not only a reflection of reality, but also its generalization. The author not only shows how he sees the real reality, he creates his own, new fictional world. With the help of images, the artist depicts his personal idea of real life, the perception of regular events.

What is a literary image?

The artistic image in literature is a form of reflection of reality, any individual phenomenon that the author rethinks with the help of fantasy and recreates in his work. An image can be understood as a separate element of the whole idea, which at the same time seems to have its own content and “lives independently”. For example, the character of a character in literature or symbolic images in the poetry of A. S. Pushkin, M. Yu. Lermontov and others.

The definition of the artistic image was given relatively recently by the German writer and philosopher I. W. Goethe. However, the problem of how to create an image faced the creators of the word in ancient times. Aristotle thought about this and formalized his arguments inwhole teaching. And this term became widely used in the world of literature and art after the publication of some articles by Hegel.

Characteristics of the object reflection result

There are several characteristics that help to understand that images are precisely the result of the reflection of objects, and not details or artistic and expressive means of literary speech. They have the following features:

1. The image is the result of an artistic generalization of reality.

2. It does not separate from its real prototype and, after a creative rethinking by the author of the latter, reflects the opinion of the writer.

3. The literary figure helps to understand certain features of the author's worldview. With its help, the reader can determine the position of the author in the work, which is often required for text analysis, finding the problem that is being raised.

4. Literary images have the functions of symbols and they can be interpreted ambiguously. Here everything depends on the complicity of the reader, how seriously the person perceives this or that result of the reflection of the object, as he sees it. The reader attaches one meaning or another to the image. Everyone perceives it in their own way.

5. The image can be either authorial, that is, that appeared as a result of the artist’s assessment of the world, or traditional, that is, taken from folk culture or mythology.

The result of human reflection in literature

The artistic image of a person becomes different over time, asthe person himself, his worldview, also changes, which means that it is necessary to portray the personality in a different way. As creativity develops, priorities change in relation to the human figure, form. For example, the image of a person in the literature of the classical style is accompanied by a sense of duty and honor. Moreover, positive characters always prefer this, sacrificing personal happiness. And in romantic poetry and prose, the author puts above all the relationship of the character and society, his interaction with the outside world.

How is an image created?

In literature, the image of a hero is formed by the use of certain means by the author:

1. The character must have a first name, last name and patronymic. Although there are cases when the authors did not name their heroes, but simply called them Lord. Speaking names and surnames are also very common, especially among the classics. For example, Mrs. Prostakova and Mitrofan from D. I. Fonvizin's comedy "Undergrowth".

2. Hero portrait. The author describes the character, appearance or some details that characterize the character. For example, a detailed portrait of Chichikov is presented to us by N. V. Gogol in his poem "Dead Souls".

3. The interior that characterizes the character. In the novel Oblomov by I. A. Goncharov, the author gives us a description of the apartment in which the main character lives.

4. The actions of the character, reflecting his essence.

5. Artistic details. In the novel Oblomov, this is the hero's worn robe and his large house slippers. And in the work of I. S. Turgenev “Fathers and Sons”, Bazarov’s weathered hands without gloves become such a detail.

Not easyto create images, it requires great attention to every little thing and phrase uttered by the hero.

Separate topic

The images of female representatives are a separate conversation. Much attention is paid to such figures in the works of A. S. Pushkin "Eugene Onegin" and A. S. Griboyedov "Woe from Wit". These female images are considered the personification of honesty, kindness, young girlish beauty. But, despite some similarities, the characters of the heroines are different.

Sofya Famusova is a controversial character. She does not resemble her father in many ways, but she has not decided what time she belongs to - "the present century or the past century." Sophia reads French novels at night, is in love with Molchalin, but without hesitation dismissed gossip about Chatsky's madness.

Tatyana Larina is a gentle, romantic nature. She is a "people's soul", brought up by a nanny, different from her sister. For the first time she experienced a wonderful feeling of falling in love, having already reached the age of majority, while her sister did not grieve for a long time about the death of her fiancé in a duel. Tatyana is Pushkin's favorite female image, which is not at all surprising.

However, today's youth can take any of these personalities as an example for themselves, as they are multifaceted and have become ideals for their creators.

Conclusion

We talked about the results of the reflection of the object in the literature and came to the following conclusions. Artistic images are something that requires understanding and inspiration from the reader. The reader himself endows the figuresome qualities that only he knows about. The artistic image is inexhaustible, like our life itself.