2023 Author: Leah Sherlock | [email protected]. Last modified: 2023-11-27 12:28
In the very center of Moscow, on Stary Arbat Street, there is the famous theater named after. Vakhtangov. One of the most visited cultural centers of the capital is located in a three-story mansion built at the end of the 19th century. The founder of the theater, Yevgeny Bagrationovich Vakhtangov, a faithful follower and student of Stanislavsky, for a long time nurtured the idea of creating a creative workshop for actors without special education. He believed that only a non-professional actor could play a role with real depth and dedication.
A troupe of amateur actors was organized in 1913, and soon the first performance of an amateur theater was shown on the stage. However, the performance failed successfully, sophisticated Moscow theatergoers did not accept the production due to the low level of acting skills.
Vakhtangov was not embarrassed by the failure of the performance, and after some time he founded a theater studio, which became part of the Moscow Art Theater. The structure was called the "Third Studio", and it was the beginning of the temple's birth.dramatic art, which today is known as the theater. Vakhtangov.
Under the roof of the "Third Studio" talented actors and actresses began to gather, thinking progressively and full of desire to realize their abilities on stage. A creative team has formed around Yevgeny Vakhtangov, ready to stage performances at a professional level.
The theatrical world of the capital came to life with the advent of Vakhtangov. Muscovites were captivated by the sincere desire of the actors to convey to the public the whole deep meaning of the play, to play with all possible authenticity. And since in those years it was customary to stage performances on revolutionary themes, the actors of the Vakhtangov Theater each time proved that they could handle any worker-peasant plots.
Sometimes the performances of the Vakhtangov Theater were knocked out of the generally accepted revolutionary themes, and then some classical production was on the stage, such as "Princess Turandot" based on the fairy tale by Carlo Gozzi. The premiere took place in the spring of 1922 and made a splash.
On May 29, 1922, theater Moscow was in mourning - director Vakhtangov died. The talented director and organizer left behind a worthy legacy. His work was continued by his students, the Third Studio received official recognition and became known as the Vakhtangov Theatre.
The beginning of the NEP, the political and economic situation - all this required theatrical performances in the spirit of the new time. And Vakhtangovbegan to look for ways to update the repertoire. Yes, the theatre. Vakhtangov began to collaborate with the then fashionable writer Mikhail Afanasyevich Bulgakov.
The first play was called "Zoyka's apartment", it was in tune with the mood of the society of that time and was enthusiastically received by the theater audience. However, there were some excesses, since the performance, although it gave the impression of a light-hearted comedy, contained satire of a social nature. This did not please the authorities and provoked harsh criticism. The reason for the conflict with the officials were other productions. "Hamlet", presented to the theatrical public in the style of buffoonery, was closed, and director Akimov was accused of being apolitical.
Soon, the performances dedicated to the NEP came to naught, and "Leniniana" began in Moscow theaters - an endless series of performances to the glory of the worker-peasant system. The dominance of communist patterns became obvious, ideology crowded out creativity. Stalinist repressions were already on the way, from which the actors of the Vakhtangov Theater later suffered.
Currently, the Vakhtangov Academic Theater is one of the most popular and visited in Moscow. Rimas Tuminas, the current artistic director, continues the tradition of his predecessors. The theater follows the canons laid down at the beginning of the last century by Stanislavsky Konstantin Sergeevich. For more than ninety years of existence, the troupe, in which more than one generation has changed, has nevermoved away from the foundations bequeathed by the brilliant master.
An unforgettable mark in the history of the Vakhtangov Theater was left by Mikhail Ulyanov, who died in the spring of 2007. He was the permanent artistic director for many years. Theatrical Moscow will never forget the recently departed Yuri Yakovlev.
Vakhtangovites living today: the patriarch of the theater stage Vladimir Etush, the legendary Vasily Lanovoy and Irina Kupchenko, Evgeny Knyazev and Vyacheslav Shalevich, young representatives of the dynasty - Viktor Sukhorukov and Nonna Grishaeva. There is no cult of reverence in the troupe - everyone is equal. The artists of the Vakhtangov Theater are a creative team that has developed over the years.
Thirty performances will be performed on the stage in March-April 2015:
"Notes of a Madman", "Jealous of Herself", "Cry of the Lobster", "Coast of Women", "Medea", "Uncle's Dream", "Mademoiselle Nitush", "People Like People", "My Quiet Motherland", "Pier", "Dedication to Eve", "Last Moons", "Cyrano de Bergerac", "Farewell Tour", "Demons", "Matryona Dvor", "Miss Nobody from Alabama", "Smile to us, Lord", "The Wind Noises in the Poplars", "Crazy Day, or the Marriage of Figaro", "Games of the Lonely", "Uncle Vanya", "Pelias and Melisandre", "Eugene Onegin", "Birds", "Masquerade", "Anna Karenina","Othello", "Okay Days", "Marriage", "Run".
The Vakhtangov Theatre, whose repertoire is updated regularly, has long been the best stage for thousands of Muscovites and guests of the capital.
Recently restored premises, new rows of chairs, academic-style benoir boxes - all this is the pride of the Vakhtangovites, who finally received a real "Temple of Melpomene" for their undivided use. The stage of the Vakhtangov Theater is equipped with the latest technical progress.
Spectators are accommodated in three tiers: the stalls with an amphitheater and a benoir on the periphery, a mezzanine with boxes and on a balcony, also with boxes.
It is important for the Moscow theatrical audience to be able to share their impressions after the performance. It has become a tradition to stop in the middle of the street, since the movement of cars is prohibited on the Old Arbat, and discuss the production. Therefore, people leaving the theater do not rush to the subway or other modes of transport. The Vakhtangov Theatre, reviews of performances of which are born spontaneously, during a confidential conversation right on the street, is an example of the boundless love of Muscovites.
New theatrical performances are announced long before the premiere. Spectators have the opportunity to worry about purchasing tickets in advance, which are usually bought a month before the gala day. Those wishing to see their favorite actors can notdoubt that this will happen if they contact the ticket service. The treasured pass can be bought through the system of cashless payments without leaving your home. There are several payment methods: by WebMoney system, electronic transfer, bank card. The buyer who paid for the order receives a file that needs to be printed. This is the ticket, on which a special barcode is indicated. With this ticket, you can go to the theater, take your seat and watch the performance.
You can also buy a ticket the old fashioned way - at the box office. But since the demand is high, you will have to stand in a live queue. To somehow simplify the task, you can sign up by phone and get the number of the queue member. In any case, a ticket, the cost of which varies from 1200 to 1800 rubles, will be purchased.
The Vakhtangov Academic Theater is located in a stylish Moscow mansion built in the early 20th century at 26 Stary Arbat. Its history goes back to the distant 1913, when one of Stanislavsky's students, Yevgeny Vakhtangov, decided to create a creative workshop for non-professional actors
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