Blok's poem "We met with you at sunset": analysis, theme

2024 Author: Leah Sherlock | [email protected]. Last modified: 2023-12-17 05:25

This verse was closely intertwined with the writer's love for Mendeleeva. In the summer of 1898, he stayed at a hereditary estate near St. Petersburg. At that time, he begins to fall in love with the neighbor's daughter Mendeleeva. But this novel did not acquire further duration: the young girl had no feelings for Blok. In 1902, he wrote this work, which he then presented to the young lady.

History of Creation

In order to break away from gloomy thoughts and find an explanation for his defeat, the poet admits that the appearance of his beloved at a certain period was a more significant measure for him than her inner qualities. Meanwhile, he noticed that his beloved was behaving with him extremely unresponsive and indifferent. However, Blok did not attach any importance to this, blaming such actions on the natural modesty and immaturity of the young lady. As a result, he was truly amazed when he realized exactly what his lover thought of him.

She simply ridiculed the young poet along with his absurd feelings and works, after which he had no choice but to leave the estate, vowing never tolife is not to visit here. Only three years later, Blok managed to tell about what he feels for his beloved, confessing that he had nothing left inside him. However, rock is an extremely crafty and fickle thing, and the unforeseen meeting of the poet with Mendeleev in St. Petersburg in 1903 will become fatal, the basis of a violent and extremely special romance with a very sad, albeit completely expected, end.

Analysis "We met with you at sunset…" Blok

The work is classified as romantic poetry, its style is sublime.

The poem “We met with you at sunset …”, the analysis of which we will carry out, is related to the collection “Poems About a Beautiful Lady”. It contains two themes: the theme of a date, which appears in the first three quatrains, and the theme of the couple's separation in the last quatrain.

At what point does reality turn into an illusion, and dreams spill over into the real world? The boundary between reality and dreaming is very blurred by the author. He tells us about the emotions of the character and conveys his date and separation from a delightful girl, as if through a fog. Dreaming is more to his liking - only in this way does he achieve deliverance. Due to this, the structure of this work is circular.

The work serves as a continuation of the collection about the Beautiful Lady, but this image has changed significantly. Before us now is not a majestic wife. Her image is unclear and foggy: only her silhouette in a snow-white dress is presented. However, the dress is a sign of an ordinary earthly girl.

Andsuch true features are compared with her sophistication. The background of the story has also been reduced. We find ourselves not in the church, as before, but in the bay and see the lovers against the backdrop of the bay. If we turn to the analysis of "We met with you at sunset …" Blok and compare it with other creations about the Beautiful Lady, then we will understand how the colors and sounds have changed.

Features

No juicy shades - all tones are softened. Everything happens at sunset, in a haze of darkness. The image of the girl is full of beauty. The character is also undergoing significant changes, his former admiration is gone.

It is curious to know the meaning of the signs that the writer introduces into the poetic fabric "We met with you at sunset …", which we are analyzing.

Symbolics

Sunset, haze, river, amber oar, tones - everything has its own meaning. The lovers meet at sunset. Their rendezvous, albeit shrouded in the evening glow of mystery, is nevertheless the finale of their love relationship.

Fog is also a sign of the instability and fragility of the union. The girl is silent and mysterious. The hero, as before, adores her image, but they have no perspective.

The girl is wearing a milky dress. White color is a symbol of death. Is it possible that this is a dead couple moving somewhere in a boat? At first, the oar cut the surface of the bay, and in the finale it is depicted frozen and motionless.

Role of sounds

They callsad mood, reveal the sadness of the character and his longing for the past. Meetings with a beloved are silent, and only prayers are heard in heavenly silence. This is the main theme of "We met with you at sunset" Block.

The author uses various artistic techniques for style. Epithets and metaphors (white camp, evening candles) help to reveal the image of the beloved hero.

Descriptive definitions (evening fog, white dress) take part in the image of nature, in the environment of which events occur. Personifications highlight the mundane, real picture of reality. The rhyme in the verse "We met with you at sunset" is cross.

Means of artistic representation

The poem embodies the classic clash of dreams and reality. The structure of the verse is based on the principle of contrast between the earthly and the Sacred. A real lady dressed in a white dress is compared with exquisite dreams. This antithesis continues throughout the whole work, it is also present at the end.

And the dream wins as a result. The amorous story ends, but the dream still dwells in the soul of the character, in the “evening fog”, in certain thoughts “about the pale beauty.”

This opposition of dreams and reality exists in all quatrains. At first, the hero mentions his dates with the lady. And sympathy here omnipotently captures his soul, oppressing dreams.

At the end, the character completely got rid of those that captured his mind and heartfeelings and was left alone with his own dreams.

Structurally, the work can be divided into two episodes. The first is a memoir about the past (three quatrains). The second episode is a real period in the character's existence (last quatrain).

When re-reading the passage "We met with you at sunset", again you understand how unsteady the boundary between dreams and reality is. The dream is not dynamic, immovable, it is visible through the melody and unity of all the quatrains, through the cross epiphora. Reality is tangible, understandable, we obey its rules.

For this reason, the poet created the verse very clearly, rhythmically, as a result of which the antithesis of the form and meaning of the work comes out, we hear the sound of the waves cut by the oar, the rustle of sand, the rustle of reeds. If you break away from the real world, feel what is happening, drawn in the lines, then you feel the air humidity of the fog, the contours of the flame are visible.

And we seem to be transported together with Blok into a brilliant golden dream. Actually, this is the whole author, striking with his uniqueness, able to lead him into the world of fantasy, to lure. I would like to read this wonderful work again, to reveal and comprehend new secrets of being.