Kostya Inochkin - the character of the film "Welcome, or No Trespassing"

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Kostya Inochkin - the character of the film "Welcome, or No Trespassing"
Kostya Inochkin - the character of the film "Welcome, or No Trespassing"

Video: Kostya Inochkin - the character of the film "Welcome, or No Trespassing"

Video: Kostya Inochkin - the character of the film
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In 1964, a film by young director Elem Klimov "Welcome, or No Trespassing" was released on the screens of Soviet cinemas. The film quickly sold on quotes, wise sayings and witty jokes. Fifty plus years later, the film remains relevant as a nostalgic memory for adults and as a wonderful example of a good family movie for today's children.

Main character

movie hero
movie hero

Kostya Inochkin is a character well known to everyone over forty. The star of the cult Soviet film "Welcome, or No Trespassing". Until now, many people know and remember Kostya Inochkin. Actor Vitya Kosykh was approved for this role quite by accident. And, as it turned out, he pulled out a lucky ticket.

Victor told later how he lied to the director, confidently declaring that he could swim, although he did not. The actor recalled how he recited poetry during auditions: loudly chanting words, stretching along the string, liketaught at school. For some reason, that's exactly what the director liked. It was assumed at first that Vitya would get the role of Marat, and the boy did not like it terribly. According to the script, he would have to undress and appear in the frame in this form, and the young actor did not want this at all.

But luck smiled at Victor, and he was approved for the main role of Kostya Inochkin. Approved thanks to sincerity and, of course, type. Only the boy still had to undress - for the shot where he squeezes out his swimming trunks after swimming. Before filming, Vitya was sent to training in the pool so that he could learn to swim. The boy was only 13 years old, and before this fateful event, he did not even think about the career of an artist. But the role of Kostya Inochkin brought him great popularity.

Tests during filming

film frame
film frame

Filming a movie became a real adventure for Vitya. There were no tests. For the scene with the voracious eating of the soup from the pot, 27 takes had to be done. The young artist ate 27 servings of pickle, after which he hated any soups for a long time. The final scene, with a flight over the river, was filmed in the pavilion, and Vitya was suspended from the dome with a cable and additional steel threads. This was done for the sake of safety, but hanging on them was so inconvenient that Vitya tried to sneak off the set several times.

Except for Viktor Kosykh, few people later became a professional actor. The artist played many more roles, of which the most memorable was the role of Danka in the film "The Elusive Avengers".

Characters of the film about Kostya Inochkin

movie characters
movie characters

For director Elem Klimov, the film "Welcome …" became the debut full-length work. It's amazing how a person who had never been to pioneer camps in his life could create such an accurate, albeit slightly satirical, collective image of the camp. Soviet children rest on command: they bathe at the whistle, gain weight according to the schedule and voluntarily - forcibly participate in amateur performances.

In the film, Kostya Inochkin is one of those who does not want to obey these rules. The character of Viktor Kosykh turned out to be surprisingly characteristic, embodying the qualities of any thirteen-year-old child. He is restless, resourceful and freedom-loving. Every Soviet child knew in which movie Kostya Inochkin was the main character. Inochkin's antagonist in the film is the head of the camp, comrade Dynin, a dull and inert bureaucrat.

Movie plot

The plot of the film beloved by many is straightforward: Kostya is being punished for violating discipline. The pioneer is expelled from the pioneer camp in disgrace, but he, a good boy who loves his grandmother, decides to stay. The child hides and continues to live in the camp. His rebelliousness arouses sympathy in his friends, and the children help Kostya Inochkin to avoid exposure. And exposure could be doubly dangerous: firstly, it is not known how terrible the anger of the head of the camp is, and secondly, upsetting the grandmother is not good.

The heroism of Kostya's friends is impressive: for the sake of a friend, they are even ready to jump naked into the thickets of nettles. But even among the friends there was a traitor who was never shown to the audience. ATframe - only thin legs in sandals. Of course, Kostya's plan is frustrated, but Dynin is left behind, and the children get their long-awaited freedom.

Characters

Welcome or no outsiders allowed
Welcome or no outsiders allowed

All the pioneers in the film are as natural as possible, very natural. The way normal kids should be. And only adults are shown exaggerated. Adults contradict themselves without noticing this contradiction. Adults come up with ridiculous rules and demand their nominal implementation. And children remain children, they do not tolerate lies and demagogy. It turned out that the best recipe for a funny and smart children's movie is a mixture of wise thoughts with excellent performances of small actors and the understanding that the film is not so childish. Not without reason the preface reads: "This is a film for adults who were children, and for children who will definitely be adults."

Film shooting

Few people know that Klimov was put in the wheel even at the stage of preparation for filming. Caustic satire on the Soviet system smelled a mile away. So that the shooting would not be curtailed, the director of the picture tried to increase the costs, so that the management would feel sorry for the money spent, and the film was allowed to finish. Klimov tried to complete the shooting of the film as quickly as possible, and instead of the planned year, the filming period lasted only four and a half months.

A parody of the political system

life in the camp
life in the camp

The film contains many allusions to the government of that time, to the excesses of state education, ridiculous slogans and orders. The director is very bravehe also makes fun of Khrushchev's "corn program". Later, in an interview, Elem Klimov admitted that the film was conceived precisely as a parody. It is all the more surprising that Khrushchev was pleased with the film and allowed it to be shown in cinemas. True, a few days after the premiere, the Secretary General was removed. If filming had ended on time, the film might never have been released.

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