Yulia Rutberg: filmography, biography and personal life (photo)

2024 Author: Leah Sherlock | [email protected]. Last modified: 2023-12-17 05:25

Yulia Rutberg is an actress not only of the Russian, but also of the Soviet school. Apart from sad thoughts about the transience of time, this is the best recommendation for a modern artist. Having become the owner of many very prestigious awards for achievements in the field of art, awarded the Order of Glory to the Nation, Yulia Ilyinichna is in demand today, recognizable, loved and respected.

Inherited love of art

The family in which Yulia Rutberg was born has traditionally served art for at least three of her generations. Father, Ilya Grigoryevich, was the head of the unique, the only department of pantomime in the country, he founded the theater "Our House", his mother, a graduate of the Institute. Gnessin, Suvorova Irina Nikolaevna, taught at a music school. Grandfather and grandmother danced in the theater "Island of Dance" (in the 1930-1940s - the NKVD ensemble).

The house was often visited by famous artists, whom ordinary citizens could only see on the theater stage or television screen. As a child, Julia called celebrity artists "Uncles" - Semyon Farada, Alexander Filippenko, Gennady Khazanov and many other "celestials".

Theater and life

Of course, artistic genes appeared at school. The girl, in addition to school, learned to play the piano. Having received a certificate, she passed the competition at GITIS, but two years later she decided to continue her education at the Shchukin School.

After graduating from the Higher Theater School in 1988, Yulia Rutberg joined the troupe of the Vakhtangov Theatre. The first success came when the play "Zoyka's Apartment" was staged, in which she made her debut in the title role.

From the beginning of the nineties, the well-established actress began to be invited to other well-known theaters. She played Arkadina in The Seagull by Andrei Zholdak (State Theater of Nations), Anna Andreevna in Khlestakov by Vladimir Mirzoev (Stanislavsky Theatre), and Mikhail Kozakov, who had returned from Israel, wanted to see her in his experimental project Strinberg Blues.

Direction

In the past decade, actress Yulia Rutberg has tried her hand at directing, creating All That Jazz, a fantastic cabaret-styled program in which she engages in dialogue with the audience while conversing with famous artists separated from us in time and space. This live communication, in which Charlie Chaplin, Liza Minnelli, Edith Piaf and Michael Jackson take part, as well as everyone who came to the performance, has become a notable event in the theatrical life of the capital.

Cinema

In our age, real popularity comes to those artists who act in films a lot. Julia Rutberg also understood this. Biography of her as a film actressbegan when she was only sixteen, although this experience can be considered symbolic, she did not have to play a role as such, she starred in extras. In The Rouen Maiden Nicknamed Pyshka (1989), a musical staged by Evgeny Ginsburg, I had to work seriously, Armen Dzhigarkhanyan, Nikolai Lavrov, Alexander Abdulov, Leonid Yarmolnik and Valentina Talyzina became shooting partners, which, of course, obliged a lot.

A year later, work began on the film adaptation of the dramatic story "Stalin's Funeral" by Yevgeny Yevtushenko, and Yulia Rutberg was invited to play a prominent, though not the main role. In Makarov, Elena Mayorova and Sergei Makovetsky were in the forefront, but she was offered a short, but very important episode.

1999 was marked by participation in the filming of the films "Tango over the Abyss-2" (female investigator Vera) and "Check" (one of the first domestic thrillers).

Domestic cinema has been enriched by fifty films starring Yulia Rutberg. In all cases, without exception, she decorated them with her game.

Serial creativity

The fashion for serials that arose at the beginning of this century only increased the demand for such a talented actress as Yulia Rutberg. Films with her participation became events in the cinema, and the images she created were decorated with interesting serials, such as "Empire Under Attack" (Azef's Wife, Lyubov) and "Kamenskaya".

Real people's love came after the series "Plot" (2003), which was watched by the whole country and the so-called "near abroad",preserved with Russia the unity of cultural perception. Yulia Rutberg later said that she herself came up with the fate of her heroine, an intelligent townswoman who came to the village after marriage. The desire to delve into the motivation and way of thinking of the character is generally characteristic of this talented actress.

A year later there was an interesting role in the movie "Farewell Dr. Freud", which highlights the problem of mutual misunderstanding between parents and children during growing up.

TV series “Doctor Tyrsa”, “Saboteur. The End of the War”, “Don't Be Born Beautiful” and other films demonstrated Rutberg's ability to cope with complex staged tasks, bringing a fair amount of her own innate humor into their implementation.

When an actress is not seen

And there was also work behind the scenes. Dubbing journalistic and documentary films, cartoon characters also requires artistry. Listeners will recognize the voice of this actress, even if she herself is not visible, for example, during radio programs. Special warm words deserve her work with the wonderful Kultura TV channel, with which Yulia Rutberg cooperates fruitfully.

Private life, children and husbands

It so happened that the actress had three marriages. The famous musician Alexei Kortnev was her husband for almost a decade. However, he did not consider this civil marriage serious. After parting with him, Yulia had a relationship with Alexander Kuznetsov, who was known in the Shchukin school as Casanova's note. The wedding was "walked" in "Yar", there were many guests, including fellow students. Hopes forthat after the solemn marriage, the young husband will moderate his romantic ardor, did not come true. Even the birth of a son and the extreme tolerance for his repeated intrigues on the part of his wife did not affect the situation in any way. One fine day, Alexander announced his intention to emigrate to the United States, knowing for sure that Yulia would not want to follow him. The breakup was difficult.

Lobotsky

Anatoly Lobotsky appeared just in time, given the depression that Yulia Rutberg was in. Her personal life was complicated by the illness of her father, whom she always revered as the ideal of a man. Money was required, and a lot of it, so the actress took on any job, spending almost all the time left after filming, touring, creative evenings and entreprise in her parents' house. Lobotsky was not enthusiastic about such an image of family relations, but he treated the situation adequately and with understanding. Meanwhile, reports based on rumors of an imminent divorce stubbornly circulated in the press. In addition, Rutberg had the idea to build his own house in Chekhov, which was to play the role of a “nest” that cemented marital relations, which, of course, did not add leisure.

Lobotsky, with all his virtues, lived a difficult life before he met Yulia Rutberg. His biography was complicated, he has a son from his first marriage, Stanislav (born in 1979), and he has many novels behind him. He repeatedly left, declaring publicly about his freedom, but just as often he returned. One can only marvel at the patience with whichthe actress continues to wait for her beloved man. Yulia Rutberg's family broke up twice, but the third time she apparently intends to fight.

The actress is a believer. She professes Orthodoxy. Yulia Rutberg accepted the rite of baptism at a conscious and mature age.