Analysis of the poem "The Death of a Poet" by M.Yu. Lermontov

Analysis of the poem "The Death of a Poet" by M.Yu. Lermontov
Analysis of the poem "The Death of a Poet" by M.Yu. Lermontov

Video: Analysis of the poem "The Death of a Poet" by M.Yu. Lermontov

Video: Analysis of the poem
Video: Mikhail Lermontov. Death of a poet | Poems of Russian poets | Reading together 2024, November
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Lermontov is a great Russian poet, playwright and prose writer, known throughout the world for his magnificent works that have enriched Russian culture. In the classical literature of Russia, Lermontov rightfully takes second place after A. S. Pushkin.

Analysis of the poem Death of a Poet
Analysis of the poem Death of a Poet

These two well-known names are connected by an invisible thread, since it was the tragic death of A. S. poet.”

Analysis of Lermontov's poem "The Death of a Poet" provides rich food for thought. This poem, in the form in which we know it - consisting of three parts (the first part - from stanzas 1 to 56, the second part - from stanzas 56 to 72, and an epigraph), did not immediately acquire its finished form. The very first edition of the poem was dated January 28, 1837 (one day before Pushkin's death) and consisted of the first part, ending with the stanza "and his seal is on the lips."

Analysis of the poemDeath of the poet Lermontov
Analysis of the poemDeath of the poet Lermontov

These 56 stanzas of the first part, in turn, are conditionally divided into two relatively independent fragments, united by a common theme and literary pathos. An analysis of the poem "The Death of a Poet" reveals the differences between these fragments: the first 33 stanzas are written in dynamic iambic trimeter and boil with indignation over the death of the poet, denouncing it not as a tragic accident, but as a murder, the cause of which was the cold indifference of the "empty hearts" of secular society, his misunderstanding and condemnation of the freedom-loving creative spirit of the poet Pushkin.

Carrying out further analysis of the poem "The Death of a Poet", we see that the second part of the first fragment, consisting of the next 23 stanzas, differs from the first by changing the poetic meter to iambic tetrameter. The theme of the narration also changes from reasoning about the causes of death to a direct denunciation of the high society and all its representatives - “insignificant slanderers”. The author is not afraid to throw, in the words of A. V. Druzhinin, an “iron verse” into the arrogant face of those who do not hesitate to mock the blessed memory of the great poet and man, as this detailed analysis of the poem shows us. "Death of a Poet" Lermontov wrote without worrying about the consequences, which in itself is already a feat. Analyzing the poem "The Death of a Poet", its second part, containing stanzas from 56 to 72, we notice that the mournful elegy of the first part is replaced in it by malicious satire.

The epigraph appeared only much later, when the poet was required to provide the Sovereign with a handwritten copy of the poem forfamiliarization. An analysis of the poem "The Death of a Poet" shows that this epigraph was borrowed by the poet from the tragedy "Venceslas" by the French playwright Jean Rotru.

Analysis of Lermontov's poem Death of a Poet
Analysis of Lermontov's poem Death of a Poet

It is known that the entire court society and Emperor Nicholas I himself "appreciated" the hot creative impulse of the young genius, which resulted in poetic form, since this work caused a very negative assessment of the ruling power and was described as "shameless free-thinking, more than criminal. The result of such a reaction was the initiation of the case "On impermissible verses …", followed by the arrest of Lermontov, which took place in February 1837, and the exile of the poet (under the guise of service) to the Caucasus.

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